Materialist Film
Book information
Description
Content: 1. The one to one relation between viewer and viewed -- 2. The concept of arbitrariness -- 3. Implicating materialism with physicality -- 4. Presence -- 5. Content -- 6. The subject -- 7. Film as film -- 8. Perception versus knowledge -- 9. Fetishization of process -- 10. Deconstruction -- 11. Deconstruction and sexuality -- 12. Denial of semioticity -- 13. Andy Warhol's Kitchen (1965) -- 14. The stare and voyeurism -- 15. Lis Rhodes' Light reading (1978) -- 16. Questions around structural/materialist film -- 17. Meaning and illusion -- 18. The close-up -- 19. Context -- 20. History -- 21. The literaI -- 22. Artistic subject/aesthetic subject -- 23. Duration -- 24. Splice -- 25. Filmmakers' statements -- 26. Performance -- 27. Film as material -- 28. Cinema verit©♭ -- 29. Audience numbers and sex -- 30. Rose Lowder's Composed recurrence (1981) -- 31. Kurt Kren's TV (1966) -- 32. The London Filmmakers Co-operative -- 33. Repetition -- 34. Humanism and anti-humanism -- 35. Socialism/optimism/pessimism -- 36. A little polemic on production -- 37. Autonomy and anonymity.
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