ENGLISH

Embodied Politics in Visual Autobiography

By Sarah Brophy and Janice Hladki (eds.)

Book information

Publisher
University of Toronto Press
Year
2014
ISBN
9781442646605, 9781442616097
Language
english
Format
PDF
Filesize
15 MB (15689294 bytes)
Series
Cultural Spaces
Pages
\319
Time added
2020-07-12 19:12:24

Description

From reality television to film, performance, and video art, autobiography is everywhere in today’s image-obsessed age. With contributions by both artists and scholars, Embodied Politics in Visual Autobiography is a unique examination of visual autobiography’s involvement in the global cultural politics of health, disability, and the body. This provocative collection looks at images of selfhood and embodiment in a variety of media and with a particular focus on bodily identities and practices that challenge the norm: a pregnant man in cyberspace, a fat activist performance troupe, indigenous artists intervening in museums, transnational selves who connect disability to war, and many more. The chapters in Embodied Politics in Visual Autobiography reflect several different theoretical approaches but share a common concern with the ways in which visual culture can generate resistance, critique, and creative interventions. With contributions that investigate digital media, installation art, graphic memoir, performance, film, reality television, photography, and video art, the collection offers a wide-ranging critical account of what is clearly becoming one of the most important issues in contemporary culture. Cover Copyright Contents Acknowledgments 1 Visual Autobiography in the Frame: Critical Embodiment and Cultural Pedagogy Part One. Proliferating Monstrosity 2 Quickening Paternity: Cyberspace, Surveillance, and the Performance of Male Pregnancy 3 “Virtual” Autobiography? Anorexia, Obsession, and Calvin Klein 4 Big Judy: Fatness, Shame, and the Hybrid Autobiography Part Two. Rupture and Recognition: Body Re-formations 5 Sex Traitors: Autoethnography by Straight Men 6 Looks Can Be Deceiving: Exploring Transsexual Body Alchemy through a Neoliberal Lens 7 Visceral (Auto)biographies: Plastic Surgery and Gender in Reality TV Part Three. Interior Lives: Conditions of Persistence and Survival 8 My Life as a Museum, or, Performing Indigenous Epistemologies 9 Gut Reactions: Mona Hatoum’s Corps étranger 10 “Please Don’t Let Me Be Like This!” Un-wounding Photographic Representations by Persons with Intellectual Disability 11 “Why Should Our Bodies End at the Skin?” Cancer Pathography, Comics, and Embodiment Part Four. Spectatorship and Historical Memory: The Ethics of Critical Embodiment 12 Witnessing Genocide and the Challenges of Ethical Spectatorship 13 Digital Melancholia: Archived Bodies in Carmin Karasic’s With Liberty and Justice for All 14 Connective Tissue: Summoning the Spectator to Visual Autobiography References Notes on Contributors Cultural Spaces

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