The Bloomsbury Handbook of Sonic Methodologies

Description

Cover Contents List of Illustrations List of Contributors Introduction Michael Bull and Marcel Cobussen Part I Disciplines, Methodologies, Epistemologies 1 Introduction to Part I: Sounds Inscribed onto the Face – Rethinking Sonic Connections through Time, Space, and Cognition Michael Bull 2 Sonic Methodologies in Anthropology Alexandrine Boudreault-Fournier 3 Sonic Methodologies by Way of Deconstruction Naomi Waltham-Smith 4 Nature’s Music: Sonic Methodologies in the Study of Environmental Biology Wouter Halfwerk 5 Hearing With: Researching the Histories of Sonic Encounter James G. Mansell 6 Sonic Methodologies in Urban Studies Christabel Stirling 7 Sound and Pedagogy: Taking Podcasting into the Classroom Neil Verma 8 Sonic Methodologies in Literature Justin St. Clair 9 Sonic Materialism and/as Method Tyler Shoemaker 10 Sonic Methodology in Philosophy Elvira Di Bona 11 Sonic Methodologies in Science and Technology Studies Joeri Bruyninckx and Alexandra Supper 12 The Sonic Environment in Urban Planning, Environmental Assessment and Management A. Lex Brown 13 Sonic Methodologies in Medicine Jos J. Eggermont 14 Soundscape as Methodology in Psychoacoustics and Noise Management André Fiebig and Brigitte Schulte-Fortkamp 15 Sonic Methodologies of Sound Salomé Voegelin Part II Sound Arts, Musics, Spaces 16 Introduction to Part II: Art – Research – Method Marcel Cobussen 17 Ambulatory Sound-Making: Rewriting, Reappropriating, ‘Presencing’ Auditory Spaces Elena Biserna 18 Sound Installations for the Production of Atmosphere as a Limited Field of Sounds Jordan Lacey 19 Fragile Devices: Improvisation as an Interdisciplinary Research Methodology Rebecca Caines 20 ‘The Music Comes from Me’: Sound as Auto-Ethnography Darla Crispin 21 Sound beyond Representation: Experimental Performance Practices in Music Lucia D’Errico 22 Performing Centrifugal Sound G Douglas Barrett 23 How to Cut Up a Record? Paul Nataraj 24 Directing Listening: Sound Design Methods from Film to Site-Responsive Sonic Art Ben Byrne 25 Sound, Space, and Pneumatic Valves: Using Pneumatic Valves as Sound Sources to Create Spatial Environments Edwin van der Heide 26 The Overheard: An Attuning Approach to Sound Art and Design in Public Spaces Marie Højlund, Jonas R. Kirkegaard, Michael Sonne Kristensen, and Morten Riis 27 Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio Paul Thompson 28 Ecological Sound Art Jonathan Gilmurray 29 Hydrophonic Fields Jana Winderen interviewed by Stefan Helmreich 30 Melt Me into the Ocean: Sounds from Submarine Spaces Yolande Harris 31 Attentive Listening in Lo-Fi Soundscapes: Some Notes on the Development of Sound Art Methodologies in Vietnam Stefan Östersjö and Nguyễn Thanh Thủy Part III Geographies, Politics, Histories 32 Introduction to Part III: Listening as Method Marcel Cobussen 33 Auditory Diagramming: A Research/Design Practice Alex Arteaga 34 Close Listening: Approaches to Research on Colonial Sound Archives Anette Hoffmann 35 Sonic Feminisms: Doing Gender in Neoliberal Times Marie Thompson 36 Sound as City Maker: Developing a Participatory-Collaborative Process to Work with Sound as an Urban Resource; the Case of Mr. Visserplein (Amsterdam, the Netherlands) Edda Bild, Michiel Huijsman, and Renate Zentschnig 37 Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives Angus Carlyle 38 Listening as Methodological Tool: Sounding Soundwalking Methods John L. Drever 39 Sounding Wild Spaces: Inclusive Map-Making through Multispecies Listening across Scales Alice Eldridge, Jonathan Carruthers-Jones, and Roger Norum 40 The Emergence of Voices in an Indian Bus Stand: An Ethnographic and Acoustic Approach Christine Guillebaud 41 Historical Sounds: A Case Study Aimée Boutin 42 Sonic Writing Holger Schulze 43 Silence of Mauá: An Atmospheric Ethnography of Urban Sounds Jean-Paul Thibaud 44 Sound Design Methodologies: Between Artistic Inspiration and Academic Perspiration Nicolas Misdariis and Daniel Hug 45 Listening to the 2001 Argentine Crisis: Soundscapes of Protest, Music, and Sound Art Violeta Nigro Giunta 46 The Sound System of the State: Critical Listening as Performative Resistance Tom Tlalim 47 Sonifications Sometimes Behave So Strangely Paul Vickers 48 The Conflicting Sounds of Urban Regeneration in Liverpool Jacqueline Waldock 49 Ethnographies Sounded on What? Methodologies, Sounds and Experiences in Cairo Vincent Battesti 50 Podcast Preservation and the Noise of Saved Sounds Jeremy Wade Morris 51 The Earview as a Border Epistemology: An Analytical and Pedagogical Proposition for Design Pedro J. S. Vieira de Oliveira 52 Hacking Composition: Dialogues with Musical Machines Ezra J. Teboul Index