ENGLISH

The Latin American Art Song: Sounds of the Imagined Nations

By Patricia Caicedo

Book information

Publisher
Lexington Books
Year
2019
ISBN
9781498581639, 9781498581622
Language
english
Format
PDF
Filesize
2 MB (2286642 bytes)
Pages
165\189
Topic
Art Music
Time added
2021-08-07 01:37:06

Description

Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated.The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. Cover The Latin AmericanArt Song The Latin American Art Song: Sounds of the Imagined Nations Copyright page Contents List of Illustrations Foreword Prelude Introduction Chapter 1 The Sounds of the Imagined Nations Toward a Broader Definition of Nationalism Latin America: Multiple Identities Musical Nationalism in Latin America Latin American National Anthems: Toward a National Identity? Salon Music and the Influence of Italian Opera The Construction of the National Sound Begins: 1880–1920 Creolism Alberto Nepomuceno: Song in Portuguese Developing the National Style Alberto Williams and the Stylization of Folk Song The Double Verbal-Musical Nature of Song: Latin American Composers Setting Latin American Poems to Music Notes Chapter 2 A Creative Storm Notes Chapter 3 New Facets of the Concept of Nationalism in the Twentieth Century Notes Chapter 4 Toward a Musical Transnationalism or the Dissolution of Borders Transnationalism: Multiple Places or the Non-Place Notes Chapter 5 Performance Practice of Latin American Art Song The Concept of Performance Practice Performance: A Space of Communication between Performers and Audience The Performance of Art Song: An Integrative Space Art Song and Its Performance Folk Song and Its Performance Popular Song and Its Performance Looking for Borders between Art Song and Folk Song: Following the Steps of Marcel Duchamp Pierre Bourdieu and the Concepts of Field and Habitus Applied to the Study of Song Meaning-Producing Agents in the World of Song Meaning-Producing Agents in the Subfield of Art Song Meaning-Producing Agents in the Subfield of Popular Song The Dual Status of Folk and Art Song: Marcel Duchamp and the “Ready-Mades” Song: An Elastic, Flexible, and Integrating Space Proposals for a New Performance Practice of Latin American Art Song Notes Discography Bibliography Index About the Author

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