ENGLISH

Performing Arousal: Precarious Bodies and Frames of Representation

By Julia Listengarten; Yana Meerzon (editors)

Book information

Publisher
Methuen Drama
Year
2021
ISBN
9781350155633, 9781350155664, 9781350155657
Language
english
Format
PDF
Filesize
8 MB (8812052 bytes)
Pages
\273
Time added
2023-05-22 02:57:26

Description

This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing “what arouses” in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object. Half Title Title Page Copyright Page Contents Figures Acknowledgments Body and Arousal: On Social, Cultural, Scientific, and Artistic Experiment: Introduction Part I: Pleasured Body Chapter 1: Kokoschka’s Fetish: Violence, Puppetness, and the Female Simulacrum as Mediated Body/Object in the Central European Avant-Garde Chapter 2: Dalí’s Dream of Venus: Sex, Surrealism, and Disability at the 1939 New York World’s Fair Chapter 3: Blood and Desire: Collaborating through Arousal Chapter 4: Getting Lippy with the Patriarchy: Contemporary Women Artists’ “Lip Art”  Chapter 5: Transformation and Arousal: The Pleasure of Performative Indeterminacy in Persona Theatre Company’s Phaedra I— Part II: Political Body Chapter 6: Höch’s Weimar and Wilhelm: Rundschau’s Avant-Garde Reframing Chapter 7: The Dissonance of Resonating Bodies and the Collisions of Reality Friction: Structures of Ambiguity in Christoph Schlingensief’s Bitte liebt Österreich Chapter 8: The Sacrificed Young Woman: Necropolitics and Patriarchy in Koffi Kwahulé’s Bintou Chapter 9: Pussy Riot’s Radical Acts: Transgressive Bodies in Performance and the Ghosting of the Russian Avant-Garde Chapter 10: Body as Site for Feminist Theatrical Discourse: A Pedagogic and Performative Experiment with Arousing Images by Anuradha Kapur Chapter 11: Both Sides, Now: Between Narratives of Decline and Gestures of Care Part III: Abject Body Chapter 12: The Knee, the Elbow, the Face: On Body as Abject in Vladimir Nabokov’s Visual Imagination  Chapter 13: Trauma, Ethics, and the Puppet Body in Handspring Puppet Company Chapter 14: “Upside Down”: The Rough Play of Narcissister’s Avant-Porn Chapter 15: Queer Epistemologies in the Making of Queer Makishi: Visibility, Trans-position, and Devised Performance Practice Chapter 16: Island Icarus: Signaling through the Flames as Critical Performance Design Contributors Index

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