ENGLISH

The Resisting Muse: Popular Music and Social Protest

By Ian Peddie

Book information

Publisher
Routledge
Year
2006
ISBN
0754651134, 0754651142, 2005012323, 9780754651130, 9780754651147
Language
english
Format
PDF
Filesize
2 MB (2148871 bytes)
Series
(Ashgate popular and folk music series)
Pages
\253
Topic
Art Music
Time added
2021-06-16 16:29:43

Description

Cover Half Title Dedication Title Copyright Contents List of figures List of contributors General Editor’s preface Acknowledgements Introduction Part One Politics and the Parameters of Protest 1 Rock protest songs: so many and so few 2 The decline and rebirth of folk-protest music 3 Available rebels and folk authenticities: Michelle Shocked and Billy Bragg 4 The pop star as politician: from Belafonte to Bono, from creativity to conscience Part Two Monophony or Polyphony? 5 The future is history: hip-hop in the aftermath of (post)modernity 6 Everyday people: popular music, race and the articulation and formation of class identity in the United States 7 Gender as anomaly: women in rap Part Three The Problems of Place 8 Protest Music as ‘ego-enhancement’: reggae music, the Rastafarian movement and the re-examination of race and identity in Jamaica 9 ‘We have survived’: popular music as a representation of Australian Aboriginal cultural loss and reclamation 10 The bleak country? The Black Country and the rhetoric of escape Part Four The Paradox of Anti-Social Protest 11 Communities of resistance: heavy metal as a reinvention of social technology 12 The handmade tale: cassette-tapes, authorship, and the privatization of the Pacific Northwest independent music scene 13 Gothic music and the decadent individual 14 Straight, narrow and dull: the failure of protest in straight edge rock ’n’ roll Bibliography Discography Index

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