ENGLISH

Working Aesthetics: Labour, Art and Capitalism

Book information

Publisher
Bloomsbury Academic
Year
2018
ISBN
135002239x, 9781350022393
Language
english
Format
PDF
Filesize
19 MB (20208445 bytes)
Series
Radical Aesthetics-Radical Art
Pages
240\241
Time added
2022-12-17 08:49:46

Description

Working Aesthetics is about the relationship between art and work under contemporary capitalism. Whilst labour used to be regarded as an unattractive subject for art, the proximity of work to everyday life has subsequently narrowed the gap between work and art. The artist is no longer considered apart from the economic, but is heralded as an example of how to work in neoliberal management textbooks. As work and life become obscured within the contemporary period, this book asks how artistic practice is affected, including those who labour for artists. Through a series of case studies, Working Aesthetics critically examines the moments in which labour and art intersect under capitalism. When did labour disappear from art production, or accounts of art history? Can we consider the dematerialization of art in the 1960s in relation to the deskilling of work? And how has neoliberal management theory adopting the artist as model worker affected artistic practices in the 21st century? Cover Hafl Title Series Title Copyright Contents Illustrations Acknowledgements Series Preface Prologue Introduction Chapter One The deskilling of the artist: Lippincott Inc. (1966–94) Chapter Two Neo-liberalism and the facilitator: Mike Smith Studio (1989–) Chapter Three The artist as project manager? Thomas Hirschhorn’s Bataille Monument (2002) and Gramsci Monument.(2013) Chapter Four Immaterial labour: Rimini Protokoll’s Call Cutta in a Box (2008–12) Chapter Five Affective action: Liberate Tate (2010–) Chapter Six Digital labour and capitalist technologies: etoy’s Toywar (1999) and Mission Eternity (2005–) Conclusion: Making work visible Afterword: Where do we go from here? A note on post-work Notes Select Bibliography Index

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