ENGLISH

Music in Early Franciscan Thought: 9

By Peter V. Loewen

Book information

Publisher
Brill Academic Pub
Year
2013
ISBN
900424817X, 9789004248175
Language
english
Format
PDF
Filesize
8 MB (8645894 bytes)
Pages
262\277
Time added
2021-03-11 14:02:22

Description

Music in Early Franciscan Thought is an interdisciplinary study exploring the broad relevance of music in Franciscan hagiography, art, theology, philosophy, and preaching between 1210 and 1300—a period covering their rapid ascendancy in medieval society as an Order of clerics. Cover Music in Early Franciscan Thought Copyright Dedication Contents List of Illustrations Abbreviations Introduction I. Music and Preaching in the Life of St. Francis of Assisi Hagiographical Sources Music in the Life of a Wanton Youth Fiddle Sticks, Dancing for Joy, and the Heavenly Cithara Music and Preaching in the Rule of St. Francis The Nativity Play and Mass at Greccio Francis and his Joculatores Domini II. Music and the Narrative of Penance in Lotario dei Segni’s De missarum mysteriis Pope Innocent III (Lotario dei Conti di Segni) De missarum mysteriis Prologue Epistle, Gradual, Alleluia, and Gospel The Epistle The Gradual The Alleluia The Gospel Conclusion III. William of Middleton’s Opusculum super missam: Musical Instruction for Simple Priests and Clerics De opusculum super missam The Epistle The Gradual The Alleluia The Gospel Conclusion IV. David von Ausburg: Music for the Outer and Inner Human Musical Comportment Vocal Prayer Scribal Reception of De exterioris et interioris hominis compositione De exterioris et interioris hominis compositione in Augsburg, Universitätsbibliothek, cod. II.1.2o 5 De exterioris et interioris hominis compositione in Munich, Bayerische Staatsbibliothek, Clm. 16072 Conclusion V. Robert Grosseteste on Music, Science, and the Cura animarum De artibus liberalibus and Templum Dei Septenary Virtue Music as Motion The Ministry of Music Conclusion VI. Roger Bacon on the Science of Music and Preaching Scholarship and Controversy The Opus maius Grammar and Logic Through the Measurement of Music Bodily Motion, and Music as a Universal Science Music and Moral Philosophy The Opus Tertium Music and Bodily Motion Singing and Preaching “The Modus of All Church Music was Established as Enharmonic” Music and Preaching Berthold von Regensburg’s Preaching Conclusion VII. Bartholomaeus Anglicus on Music and Preaching in De proprietatibus rerum Sensual Perception of Music in De proprietatibus rerum Concord in Music and Relationships Vocal Timbre and the Voice of the Preacher Concord in Music and Among Religious Universal Concord and the Music of Preaching Conclusion VIII. The Ars musica of Juan Gil de Zamora: Musical Expression and Instruments of the Reconquista Historia naturalis, Dictaminis Epithalamium, and Ars musica Who Commissioned Ars musica? St. Cecilia, the Music of the Bees, and Preaching in Historia naturalis Ars musica as a Primer for Singing Chant Ars musica The Ethos of the Church Modes The Ethos of Mode Five “Musicalia instrumenta inventa fuerunt secundum diversitatem temporum a diversis” Conclusion Conclusion Bibliography Index

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