ENGLISH

Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood

By Kendra Marston

Book information

Publisher
Edinburgh Univ Pr
Year
2018
ISBN
1474430295, 9781474430296
Language
english
Format
PDF
Filesize
11 MB (11888437 bytes)
Edition
85°
Pages
221\232
Time added
2021-02-27 17:04:53

Description

In the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the 'melancholic white woman' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. This figure may be idealised or scapegoated within these films, yet strategic performances of gendered melancholia may produce benefits for white female directors and stars disadvantaged within a patriarchal industry. Examining film genres including the tourist romance, the fantasy film and the psychological thriller, the book also contains case studies of films like The Virgin Suicides, Blue Jasmine, Gone Girl and The Girl on the Train. Cover Postfeminist Whiteness Copyright Contents Figures Acknowledgements Introduction Chapter 1 The World Is Her Oyster Chapter 2 ‘Hoist the Colours!’ Chapter 3 Neoliberalism, Female Agency and Conspicuous Consumption Chapter 4 Paranoid Attachments to Suburban Dreams Chapter 5 Aristocratic Whiteness Chapter 6 Sofia Coppola’s Melancholic Aesthetic Conclusion Bibliography Filmography Index

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