Euripides and the Boundaries of the Human

Description

Euripides and the Boundaries of the Human presents the first single volume reading in nearly fifty years of all of Euripides' surviving plays. Rather than the piece meal examination of one or a handful of dramas in monograph or article form, the book insists on the thematic and stylistic parallels that unite a diverse canon of works. Euripides is often referred to as the most modern of the three Ancient Greek Tragedians, but in what way can the work of this fifth century BC artist be claimed as modern? The multi layered presentation of character is new within the context of Athenian Tragedy. The plays reveal also equal concern with the preservation and re-vitalization of tradition, especially with respect to the portrayal of the Olympian gods. Euripidean drama upholds tradition just as vigorously as it posits a new kind of realism in character portrayal in the Ancient Theatre. Euripidean drama fuses what was old with what was new in order to revitalize and perpetuate the art of... PrefaceChapter One: Introduction: Euripides and the Boundaries of the HumanChapter Two: RhesusChapter Three: AlcestisChapter Four: MedeaChapter Five: The Children of HeraclesChapter Six: HippolytusChapter Seven: AndromacheChapter Eight: HecubaChapter Nine: The Suppliant WomenChapter Ten: ElectraChapter Eleven: Trojan WomenChapter Twelve: HeraclesChapter Thirteen: Iphigenia among the TauriansChapter Fourteen: IonChapter Fifteen: HelenChapter Sixteen: The Phoenician WomenChapter Seventeen: OrestesChapter Eighteen: The CyclopsChapter Nineteen: Iphigenia at AulisChapter Twenty: The BacchaeAfterword