Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 1955–1975
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‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods. Cover Front Matter Half-title Series information Title page Copyright information Table of contents Acknowledgements Chapter Int-Con Introduction Methodology Defining Terms: ‘Popular Music’ and ‘Generations’ Sources Chapter One ‘You Go Half Way, Don’t You?’ Family Life, Generational Identity and Popular Music Introduction ‘You Play That Again and I’ll Break the Record!’: Parental Objections to Popular Music ‘Half Teddy Boy’: Old and New in Postwar Youth Culture ‘I Ain’t No Nellie-Lover and I Ain’t No Square!’: The Efforts of Parents to Approve of Pop A New Career? Parents, Children and Popular Music-Making ‘Enacting the Role of the Hep-Cat Parent’: Adult Approval of Popular Music and Intergenerational Tensions Whose ‘Kind of Music’? Generations, the Charts and the Audience for Pop Music How Much Did It Matter? Questioning the Importance of Popular Music as a Symbol of Youth Identity Conclusion Chapter Two ‘To have Done Something’: The Christian Churches, Youth Clubs and Popular Music Introduction The Albemarle Report and the ‘Golden Age’ of Youth Clubs ‘The Gospel Youth Wants to Hear’: The Churches and Youth Work ‘A Means of Expressing Religious Impulses Which Have No Other Outlet’: Popular Music in Church Youth Clubs Popular Music, Youth Culture and the Modernization of Church Music A Man Dies: Youth Club Drama, Spirituality and the ‘Rock ‘n’ roll Passion Play’ The End of a ‘Golden Age’?: The Decline of Youth Clubs Conclusion Chapter Three ‘You’ve Got to be able to Entertain People’: The Encounter Between Popular Music... Introduction Variety Entertainment in Twentieth-Century Britain: Decline, Resurgence and Reinvention Variety’s ‘Middle Generation’, Television and Theatre Closures ‘Foreign to What Our Profession Was’: Popular Music Enters the Variety Theatres Laughing in the Face of Change: The Responses of Variety Veterans to Popular Music Mocking the Rock: Exploring the Humorous Side of Popular Music Popular Music and ‘The Spirit of Variety’ Artistic Dilemmas and Stylistic Evolution: Popular Musicians as ‘All-Round Entertainers’ ‘Surviving Together’: Popular Music and Variety Culture in the Contemporary Era Conclusion Conclusion End Matter Notes Introduction Chapter One ‘You Go Half Way, Don’t You?’ Family Life, Generational Identity and Popular Music Chapter Two ‘To have Done Something’: The Christian Churches, Youth Clubs and Popular Music Chapter Three ‘You’ve Got to be able to Entertain People’: The Encounter Between Popular Music... Conclusion Bibliography Archive Collections Interviews/Correspondence (2012-16) Newspapers/Periodicals/Audio-Visual Resources Published Works Index
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