ENGLISH

Painted Devils, Siren Tongues: The Semiotic Universe of Jacobean Tragedy

Book information

Publisher
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Year
2015
ISBN
3631626266, 9783631626269
Language
english
Format
PDF
Filesize
1 MB (1407897 bytes)
Series
Mediated Fictions
Pages
208\210
Time added
2021-12-02 06:51:04

Description

The book outlines the semiotic universe of Jacobean drama, examining both canonical tragedies by Thomas Middleton, John Webster and less known dramas such as Anonymous Lust’s Dominion, Markham and Sampson’s Herod and Antipater or Thierry and Theodoret by Beaumont and Fletcher. Cover Acknowledgments Contents Introduction Chapter I: The semiotics of revenge The Revenger’s Tragedy by Thomas Middleton. Permutations of revenge The True Tragedy of Herod and Antipater by Gervase Markham, William Sampson. Wayward semiosis Lust’s Dominion or the Lascivious Queen, Anonymous. Semioticising blackness Chapter II: Playing with sentiments The Changeling by Thomas Middleton and William Rowley. The uses of mimicry Women Beware Women by Thomas Middleton. Love, game, and bargain Chapter III: Virtuous heroines and the world of the carnivalesque Thierry and Theodoret by Francis Beaumont and John Fletcher. Double semiosis of female nature The Wonder of Women, Or The Tragedy of Sophonisba by John Marston. Grotesque avatar and carnivalesque justice Chapter IV: Topographies of possible worlds The (Second) Maiden’s Tragedy by Thomas Middleton. Landscaping meaning The Duchess of Malfi by John Webster. The semiosis of private worlds The White Devil by John Webster. Discourse in limbos Conclusion Bibliography Primary Sources Secondary Sources Index

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