ENGLISH

Dissembling Disability in Early Modern English Drama

Book information

Publisher
Springer International Publishing;Palgrave Macmillan
Year
2018
ISBN
978-3-319-92134-1, 978-3-319-92135-8
Language
english
Format
PDF
Filesize
2 MB (2600013 bytes)
Series
Literary Disability Studies
Edition
1st ed.
Pages
XV, 244\252
Time added
2018-08-15 07:07:45

Description

Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments. Front Matter ....Pages i-xv Introduction: Dissembling Disability in Early Modern English Drama (Lindsey Row-Heyveld)....Pages 1-35 Act the Fool: Antonio’s Revenge and the Conventions of the Counterfeit-Disability Tradition (Lindsey Row-Heyveld)....Pages 37-62 Double Dissimulation: Counterfeit Disability in Bartholomew Fair (Lindsey Row-Heyveld)....Pages 63-91 Feminized Disability and Disabled Femininity in Fair Em and The Pilgrim (Lindsey Row-Heyveld)....Pages 93-133 Rules of Charity: Richard III and the Counterfeit-Disability Tradition (Lindsey Row-Heyveld)....Pages 135-170 Mandated Masquerade: Disability, Metatheater, and Audience Complicity in The Fair Maid of the Exchange and What You Will (Lindsey Row-Heyveld)....Pages 171-207 Conclusion: Early Modern Fantasies and Contemporary Realities (Lindsey Row-Heyveld)....Pages 209-227 Back Matter ....Pages 229-244

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