Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits
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The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of ‘Balkan cinema’. Contents Figures and Tables Acknowledgements Contributors Traditions in World Cinema Foreword: Cinema of the Balkans – An Endless Journey • Dina Iordanova Introduction • Lydia Papadimitriou and Ana Grgić 1 Albania: Crossing Borders with a New Imaginary • Bruce Williams and Kledian Myftari 2 Bosnia and Herzegovina: Challenging Precarity, Rethinking Trauma • Dijana Jelača 3 Bulgaria: Reframing Contemporary Arthouse and Mainstream Cinema • Gergana Doncheva 4 Croatia: Film under Ideological Pressure – The State, Its Citizen and the Faltering Future • Jurica Pavičić and Aida Vidan 5 Cyprus: Transnational Challenges, Opportunities and Compromises • Costas Constandinides and Yiannis Papadakis 6 Greece: Transnational Dynamics in Greek Cinema since the Crisis • Maria Chalkou 7 Kosovo: Cinematic Developments between Conflicts and Social Transformation • Francesca Borrione and Albana Muco 8 Montenegro: A Small, Open and Forward-looking Film Industry • Sanja Jovanović 9 North Macedonia: A Nation and Cinema in Transition • Vessela S. Warner 10 Romania: Transnational and National Tensions Beyond the New Wave • Raluca Iacob 11 Serbia: Reco(r)ding the Cinematic Turn • Nevena Daković, Aleksandra Milovanović and Iva Leković 12 Slovenia: A Small National Cinema in the Phase of Transnational Synergy • Polona Petek 13 Turkey: Transnational Dimensions of a Large National Film Industry • Melis Behlil Tables General Bibliography Index
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