ENGLISH

Why Marianne Faithfull Matters

Book information

Publisher
University of Texas Press
Year
2021
ISBN
1477321160, 9781477321164
Language
english
Format
PDF
Filesize
1 MB (1433971 bytes)
Series
Music Matters
Pages
192\190
Time added
2022-01-01 17:36:12

Description

First as a doe-eyed ingénue with “As Tears Go By,” then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock ’n’ roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician’s absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption. Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She’s also a professional historian unafraid to break from the expectations of the discipline if a “titty-centered analysis” or astrology can illuminate the work of her subject. Whether exploring Faithfull’s rise to celebrity, her drug addiction and fall from grace as spurned “muse,” or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters. Table of Contents Introduction: Women Are Born Cultural Archaeologists I. The “It Girl” of the Swinging Sixties Parents The British Invasion Pop Stardom Breasts “Wild Horses Couldn’t Drag Me Away” “It’s All Over Now, Baby Blue” II. Falling from Grace Trauma Is a Gateway Drug A Punk Comeback III. The Chanteuse Strange Weather The 90s: A Good Decade for Women in Rock Before the Poison “In My Own Particular Way” Capricorn Love in the Time of Coronavirus Epilogue: Memory, “Show Me the Dick” Acknowledgments Discography and Filmography Notes

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