Formal Revolution in the Work of Baudelaire and Flaubert
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Table of Contents:Abbreviations Introduction: Formal Revolution in the Work of Baudelaire and Flaubert Chapter One: "Le Voyage": the End of Les Fleurs du mal and of Poetry in Verse Chapter Two: Historical Contexts: the Sketch-Artist, the Philosopher, and Painting Modern Life I. Constantin Guys, Le Peintre de la vie moderne, and Prose PoetryII. Joseph de Maistre, Le Peintre de la vie moderne, and Prose PoetryChapter Three: The Midas Touch of Verse: Les Fleurs du mal and Modern Life Chapter Four: Le Peintre de la vie moderne and Le Spleen de Paris: the Albatross Takes FlightChapter Five: "Deux bonshommes distincts": Flaubert's Novels and Esthetics in the 1860s I. The Esthetic: "Deux bonshommes distincts"II. The Problem: the Real "Bonhomme" vs. the Ideal "Bonhomme"III. An Underlying Cause: Modernity as a Problem of ExpressionIV. "Deux bonshommes distincts": More on Flaubert and His TimesChapter Six: Towards a Modern Form: La Tentation de saint Antoine, Trois contes and Bouvard et Pecuchet Conclusion: "Crepuscule" Appendix: "The Voyage" Bibliography About the Author
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