Sonic Flux: SOund,Art, and Metaphysics

Description

Contents Acknowledgments Introduction Part I. The Sonic Flux and Sonic Materialism 1. Toward a Sonic Materialism Signification, Discourse, and Materialism Representation and the Sonic Arts Schopenhauer: Below Representation Nietzsche: The Naturalization of Art Dionysus, or the Intensive Sound as an Immemorial Flux Sonic Events and Sound Effects A Materialist Aesthetics 2. A Brief History of the Sonic Flux Noise, Deterritorialization, and Self-Organization Systems of Sonic Capture Interlude—Christian Marclay: Repetition and Difference Digitality, Decommodification, and Deterritorialization 3. The Symbolic and the Real: Phonography from Music to Sound Hearing Things Alvin Lucier: From Signification to Noise Part II. Being and Time in the Sonic Arts 4. Signal to Noise: An Ontology of Sound Art Noise Leibniz and the Auditory Unconscious Sound Art and the Sonic Flux Room Tone Sound, Symbol, Sample Music and Sound Art 5. Sound, Time, and Duration Beyond the Musical Object: From Being to Becoming, Time to Duration Installing Duration: Postminimalism in the Visual Arts Time's Square Time Pieces Against Becoming and Duration? The Sound of Hyper-Chaos Part III. The Optical and the Sonic 6. Audio/Visual: Against Synaesthetics From Gesamtkunstwerk to Synaesthesia Sound/Image Synaesthetics 2.0 Sound Figures Dubs and Versions Sound Cinema: Film and Video as Sonic Art A Transcendental Exercise of the Faculties Notes Index