Visual Art and Self-Construction

Description

Starting from Nietzsche, Freud and Foucault's criticisms of a simple, given self, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction. VISUAL art and self-construction Copyright Contents Series Editor’s Preface Acknowledgements Introduction 1. The Self and its Vicissitudes 2. Beyond Narrative 3. A Corporeal Hermeneutics of the Self 4. Refusing What We Are 5. An Experimental Hermeneutics of the Self Conclusion List of Artworks Referenced Bibliography Index