Srikandhi Dances Lengger: A Performance of Music and Shadow Theater in Central Java

Description

The book is structured around the translation of a Javanese shadow theater performance entitled Srikandhi Mbarang Lengger ( Srikandhi Becomes an Itinerant Dancer or Srikandhi Dances Lengger ), performed only in the Banyumas region (in west Central Java) by the locally renowned puppeteer, Ki Sugino Siswocarito. This study is a translation of the story both in a strict textual-linguistic sense and in a more general interpretive sense, providing an understanding of what the performance means to its Banyumas audience. More important, it shows how the puppeteer transforms the culturally universal traditions of Javanese ritual, shadow-puppet theater, and music to particularize the entire performance event for a local audience. The book is three things: a major conceptual study that develops, advocates, and applies an interdisciplinary approach to the analysis of the performance process, an important secondary source on rural Javanese culture and arts (most works on Java focus on the court centers), and a useful primary source on wayang theater since it includes the Javanese text and English translation of a complete story with music transcriptions provided in an appendix. The Javanese texts and their English translations are laid out side by side to facilitate reading while listening to the audio recording on the enclosed dvd. The book contains twenty-five beautifully rendered illustrations of Banyumas-style wayang puppets (major characters in the story) by two Javanese artists." SRIKANDHI DANCES LÈNGGÈR Copyright Contents Acknowledgments List of illustrations PART 1 BACKGROUND Chapter I Cultural universals and local traditions Chapter II Shadow theater as a cultural institution Chapter III The temporal organization of wayang kulit Chapter IV Wayang temporalities Chapter V Sugino and his audience Chapter VI Music and intra-cultural difference PART 2 TRANSLATION Synopsis Act 1 Pathet nem INTERLUDE: Gara-gara Act 2 Pathet sanga Act 3 Pathet manyura APPENDICES Appendix 1: Music transcription Overture (Talu) Appendix 2: Music transcription Act 1 (Pathet nem) Appendix 3: Music transcription Interlude (Gara-gara) Appendix 4: Music transcription Act 2 (Pathet sanga) Appendix 5: Music transcription Act 3 (Pathet manyura) Appendix 6: Illustrations Bibliography Index