ENGLISH

CineWorlding: Scenes of Cinematic Research-Creation

By Michael B. MacDonald

Book information

Publisher
Bloomsbury Academic
Year
2023
ISBN
9781501369391, 9781501369421, 9781501369414
Language
english
Format
PDF
Filesize
4 MB (4644249 bytes)
Pages
\321
Time added
2023-05-22 11:08:34

Description

Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us. Half Title Title Page Copyright Page Dedication Contents Acknowledgements Introduction: A cinematic style of thought Chapter 1: CineWorlding with musics’ undercommons Chapter 2: A worlding proposition for/from an alternate reality Chapter 3: Living Flame of Love: Creative practice research and practical musicology Chapter 4: Virtual and actual in posthumanography Chapter 5: Diagrammatic posthumanography of Margø’s In Between Chapter 6: Bodying in intensive and extensive spaces: John Wort Hannam Is a Poor Man Chapter 7: Quartet 2 and affect vectoring Chapter 8: Crystal image in cinematic research-creation: Pimachihowan Chapter 9: The crowd behind the lens, WE’RE TOO LOUD Chapter 10: Elders’ Room: The opportunities and challenges of decoloniality Chapter 11: Activist minor cinema Notes Bibliography Index

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