The Routledge International Handbook of Jungian Film Studies

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Cover Half title Title page Copyright page Table of contents List of contributors Acknowledgements Introduction Part I: Theoretical approaches 1 A Jungian textual terroir 2 Dionysus and textuality: Hockley's somatic cinema for a transdisciplinary film studies 3 Stick to the image? No thanks! 4 Archetypal possibilities: meta- representations, a critique of von Franz's interpretation of fairy tale genre focusing on Jean Cocteau's retelling of Beauty and the Beast 5 Human Beans and the flight from otherness: Jungian constructions of gender in film 6 It's alive: the evolving archetypal image and Mary Shelley's Frankenstein 7 Music in film: its functions as image 8 Psychological images and multimodality in Boyhood and Birdman Part II: Applied approaches 9 Feminist film criticism: towards a Jungian approach 10 Teaching Jung in the academy: the representation of comic book heroes on the big screen 11 Horror and the sublime: psychology, transcendence and the role of terror 12 Hungry children and starving fathers: auteurist notions of father hunger in American Beauty 13 Beyond the male hero myth in Clint Eastwood films 14 True Detective and Jung's four steps of transformation 15 Film futuristics: a forecasting methodology Part III: Transnational approaches 16 The Australian lost child complex in adaptation: Kurzel's Macbeth and Stone's The Daughter 17 Numinous images of a new ethic: a Jungian view of Kieslowski's The Decalogue 18 The han cultural complex: embodied experiences of trauma in New Korean Cinema 19 The outsider protagonist in American film 20 Spirited Away and its depiction of Japanese traditional culture 21 Cold comforts: psychical and cultural schisms in The Bridge and Fortitude 22 Cultural hegemonies of forms and representations: Russian fairy tale women and post-Jungian thought Part IV: Clinical approaches 23 Feeling film: time, space and the third image 24 Getting your own pain: a personal account of healing dissociation with help from the film War Horse 25 Healing the holes in time: film and the art of trauma 26 Discovering the meaning of a film 27 Under the Skin: images as the language of the unconscious Part V: Approaches post-cinema 28 Beyond the second screen: enantiodromia and the running-together of connected viewing 29 Anima ludus: analytical psychology, phenomenology and digital games 30 Cinema without a cinema and film without film: the psychogeography of contemporary media consumption 31 Digital media as textual theory: audiovisual, pictorial and data analyses of Alien and Aliens 32 A networked imagination: myth-making in fan fiction's story and soul 33 The unlived lives of cinema: post-cinematic doubling, imitation and supplementarity Title index Subject index