ENGLISH

City of Screens: Imagining Audiences in Manila's Alternative Film Culture

Book information

Publisher
Duke University Press
Year
2021
ISBN
1478010584, 9781478010586
Language
english
Format
PDF
Filesize
32 MB (33976535 bytes)
Pages
328\329
Topic
Art Cinema
Time added
2022-11-23 00:43:03

Description

In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond. Cover Contents Acknowledgments Introduction One. Revanchist Cinemas and Bad Audiences, Multiplex Fiestas and Ideal Publics Two. The Quiapo Cinematheque and Urban-Cinematic Authenticity Three. Alternative Exhibition and the Rhythms of the City Four. “Not for Public Exhibition”: Cinema Regulation, Alternative Cinema, and a Rational Body Politic Five. “Hollywood Is Not Us”: National Circulation and the Speculative State Epilogue Notes Bibliography Index A B C D E F G H I J K L M N O P Q R S T U V W Z

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