"I'm Just a Comic Book Boy": Essays on the Intersection of Comics and Punk
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Comics and the punk movement are inextricably linked--each has a foundational do-it-yourself ethos and a nonconformist spirit defiant of authority. This collection of new essays provides for the first time a thorough analysis of the intersections between comics and punk. The contributors expand the discussion beyond the familiar U.S. and UK scenes to include the influence punk has had on comics produced in other countries, such as Spain and Turkey. Cover Acknowledgments Table of Contents Introduction Part I: Punk Superhero Comics One Man Artistic Corps: Jack Kirby’s OMAC as Punk Precursor (Christopher B. Field) Captain America: All-American Punk (Jill Dahlman) Part II : Vertigo Punk Comics No Future: John Constantine, Hellblazer and the ’70s Punk Rocker in the 21st Century (Spencer Chalifour) “I Hate It Here”: Spider Jerusalem as Punk Anti-Hero (Jodie Childers) 24-Hour Murder People: The Punk Iconography in Grant Morrison’s The Invisibles (Keegan Lannon) Anarchy at the Alamo: The Creation of a 21st Century American Punk-Western in Garth Ennis and Steve Dillon’s Preacher (Russell Weber) Part III: Underground Punk Comics Aspiring Revolutionaries and “Petty” Conflicts: The Penis in the Punk Movement and Binky Brown (Michael David MacBride) Reinventing a Carnivalesque Public Sphere: (Re)imagining and (Re)drawing Madrid in the long 1970s (Louie Dean Valencia-García) Drawing Istanbul’s Asshole: Turkish Punk Comics (Can Yalçinkaya) Part IV : Punk Manga Bōsōzoku Motorcycle Gangs, the Bubble Economy and Psychic Children: Reaffirming Giri Through Ōtomo Katsuhiro’s Akira (1988) (Christopher C. Douglas) Schoolgirls and Sukeban: Representations of Punk Women in Contemporary Japanese Manga (Alice Vernon) Punk Bodies and the “Do It Yourself” Philosophy (Francesco-Alessio Ursini) About the Contributors Index
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