ENGLISH

Gao Xingjian and Transmedia Aesthetics

By Mabel Lee; Jianmei Liu

Book information

Publisher
Cambria Press
Year
2018
ISBN
1604979461, 9781604979466
Language
english
Format
PDF
Filesize
26 MB (27351774 bytes)
Series
Cambria Sinophone World
Pages
362\364
Time added
2021-09-08 09:35:59

Description

Cover Title Copyright Table of Contents List of Figures Chapter 1: Introduction Part I: Philosophical Inquiry Chapter 2: Gao Xingjian and Philosophy Chapter 3: Gao Xingjian Exemplifying a Renaissance in Today’s World Chapter 4: An Insignificant Individual’s Defiance Chapter 5: The Art of Gao Xingjian Chapter 6: Women and the Dao in Gao Xingjian’s Works Part II: Trans-Discipline, Trans-Genre, Trans-Media and Trans-Culture Chapter 7: Nonattachment and Gao Xingjian’s Neutral Actor Chapter 8: Gao Xingjian’s Search for a Scenic Dramaturgy and Cinematic Language in Song of the Night Chapter 9: Two Gao Xingjian Exhibitions Launched Simultaneously in Brussels during 2015 Chapter 10: The Mind’s Eye Chapter 11: Chan Buddhist Scenography and Gao Xingjian’s Opera Snow in August Part III: Cine-Poems with Paintings, Dance, and Music Chapter 12: Floods and Forests Chapter 13: Bodies and Paintings Chapter 14: From Theater to Cine-Poetry Chapter 15: Inlaying Images and Seeing Poetry Part IV: Identifying and Defining the Self Chapter 16: Gao Xingjian Autobiography, Auto-fiction, and Poetry Chapter 17: Working Through Trauma in Gao Xingjian’s One Man’s Bible Chapter 18: Identity and Creation Chapter 19: The Authorial Self in Gide’s The Fruits of the Earth, Pessoa’s The Book of Disquiet, and Gao Xingjian’s Soul Mountain Epilogue Bibliography Index About the Contributors Praise for Gao Xingjian and Transmedia Aesthetics Cambria Sinophone World Series

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