ENGLISH

Postfeminism and Contemporary Vampire Romance: Representations of Gender and Sexuality in Film and Television

By Lea Gerhards

Book information

Publisher
Bloomsbury Academic
Year
2022
ISBN
9781350215689, 9781350215672, 9781350215658
Language
english
Format
PDF
Filesize
7 MB (7221772 bytes)
Series
Library of Gender and Popular Culture
Pages
\289
Time added
2023-05-22 09:26:31

Description

In this book, Lea Gerhards traces connections between three recent vampire romance series; the Twilight film series (2008-2012), The Vampire Diaries (2009-2017) and True Blood (2008-2014), exploring their tremendous discursive and ideological power in order to understand the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. Discussing a range of conflicting meanings contained in the narratives, Gerhards critically looks genre’s engagement with everyday sexism and violence against women, power relations in heterosexual relationships, sexual autonomy and pleasure, (self-) empowerment, and (self-) surveillance. She asks: Why are these genre texts so popular right now, what specific desires, issues and fears are addressed and negotiated by them, and what kinds of pleasures do they offer? Half Title Series Page Title Page Copyright Page Contents Illustrations Series editors’ introduction Acknowledgements Introduction: The cultural politics of contemporary vampire romance Chapter 1: More than a backlash: The contradictions of postfeminist culture Chapter 2: Paranormal romance: A quintessentially postfeminist genre? Chapter 3: The politics of looking: Female protagonists between subject and object Chapter 4: Vampire transformation as makeover: The making of ideal postfeminist subjects Chapter 5: Fantasy solutions to postfeminist culture: Vampire heroes and postfeminist masculinity Conclusion: Paradoxical pleasures Notes References Index

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