The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China
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Series Page Title Page Copyright Dedication Contents Acknowledgments Introduction: The Trouble with Naming: Middle-Class Culture, Petty-Bourgeois Sensibility, and Zhuang (裝) Chapter One: Dirty Fashion: Ma Ke’s Fashion Exhibit Useless (2007), Jia Zhangke’s Documentary Film Useless (2007), and Cognitive Mapping Chapter Two: The High-Quality Suit, Class Struggle, and Cultural Revolution: The Politics of Consumption in Xie Tieli’s Film Never Forget (1964) Chapter Three: “Mao’s Children Are Wearing Fashion!”: Romantic Love, Fashion Consumption, and Modernization Politics in Huang Zumo’s Film Romance on Lu Mountain (1980) Chapter Four: Imag(in)ing the Chinese Middle-Class Culture: White-Collar Work, Romantic Love, and Fashion Consumption Chapter Five: Between Production and Consumption: Chinese Migrant Factory Workers in Documentary Films and Ethnographic Works Chapter Six: The Psychic Life of Rubbish: On Wang Jiuliang’s Documentary Film Beijing Besieged by Waste (2010) Notes Works Cited Index
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