Experience Music

Description

With McGraw-Hill Connect® Music, students can experience music personally. Connect Music is the most successful digital platform in music: a truly integrated teaching and learning program that provides both one-click access to the program’s music selections and interactive exercises that focus on the listening process. Katherine Charlton has drawn on her extensive experience in the classroom to create a listening experience that motivates and engages students. Connect Music ensures that students can come to class confident and prepared, as they develop the active listening skills they need for success in the course and a lifetime of more meaningful musical experiences. Experience Personalized Playlists Recognizing musical elements in a piece a student has never heard before is a learned skill. Experience Music helps students develop that skill by providing an avenue into the musical elements through music they are already familiar with. McGraw-Hill has partnered with Spotify®, the service that allows you to stream music for free and build playlists containing your favorite songs. Experience Music On the Go In Connect Music, all the audio selections discussed in the text’s Featured Listenings and Listening Guides are available via a simple streaming player and through newly-designed interactive Listening Guides. The interactive Listening Guides provide a guided listening experience that trains the student listener’s ear by pointing out meaningful elements, themes, and instrumentation in each work. Now optimized for tablets, students can experience listening whenever and wherever they go. Experience Personalized Grading, Made Easier The first and only analytics tool of its kind, Connect Insight™ is a series of visual data displays that provides at-a-glance information regarding how your class is doing. Designed for mobile devices, Connect Insight travels from office to classroom, available on demand wherever or whenever it’s needed. Experience Music the Way You Want to Teach It Through McGraw-Hill Create, a newly revised Rock Music chapter is available for instructors who want more focus on this genre―Katherine Charlton’s area of expertise. McGraw-Hill Create allows instructors to create a customized print book or eBook tailored to their course and syllabus. Create-only concert reports are also available by genre for instructors who want to include worksheets that guide students through this popular course exercise.   Title Copyright Dedication Brief Contents Contents About the Authors Acknowledgments Prelude: The Fundamentals of Music Chapter 1 Elements of Music: Sound, Rhythm, Melody, and Harmony Sound Rhythm Melody Harmony Chapter 2 Elements that Structure Music: Key, Texture, and Form Key Texture Form Chapter 3 Musical Instruments and Ensembles Voices and Vocal Ensembles Stringed Instruments Plucked Stringed Instruments Bowed Stringed Instruments Woodwinds Brasses Percussion Instruments Definite Pitch Indefinite Pitch Keyboard Instruments Electronic Instruments Instruments in Non-Western Cultures Instrumental Ensembles Chamber Ensembles The Orchestra The Wind Ensemble The Conductor Prelude: The Culture of Medieval Europe Chapter 4 Medieval Music Medieval Sacred Music Gregorian Chant Listening Guide: “Dies irae” (“Day of Wrath”), Beginning Section by Anonymous Hildegard of Bingen Listening Guide: “O pastor animarum” (“Shepherd of Souls”) by Hildegard of Bingen MUSICURIOUS Medieval Nuns’ Daily Lives The Mass Polyphony and Measured Rhythm Featured Listening: “Viderunt omnes” (“All Have Seen”), Beginning Section by Léonin Guillaume de Machaut Listening Guide: “Agnus Dei” (“Lamb of God”) from Messe de Nostre Dame (Mass of Our Lady) by Guillaume De Machaut Medieval Secular Music HEARING THE DIFFERENCE “Dies Irae” and Machaut’s “Agnus Dei” Improvised Accompaniment to Monophonic Songs Listening Guide: “Tant M’abelis” (“So Much I Love”) by Berenguier De Palou Characteristics of Medieval Music Prelude: The Renaissance: The Rebirth of Humanism Chapter 5 Renaissance Music Renaissance Sacred Music Josquin des Prez Featured Listening: “Ave Maria” (“Hail, Mary”) by Josquin Des Prez Giovanni Pierluigi da Palestrina Listening Guide: “Kyrie” (“Lord”) from Missa Papae Marcelli (Pope Marcellus Mass) by Giovanni Pierluigi Da Palestrina Renaissance Secular Music HEARING THE DIFFERENCE Josquin’s “Ave Maria” and Palestrina’s “Kyrie” The Madrigal in Italy MUSICURIOUS Home Entertainment During the Renaissance The Madrigal in England Listening Guide: “Fair Phyllis” by John Farmer Lute Songs Renaissance Instrumental Music Listening Guide: “Flow My Tears” by John Dowland Listening Guide: Three Dances from Terpsichore by Michael Praetorius Characteristics of Renaissance Music Prelude: The Triumph of Baroque Style Chapter 6 Baroque Opera The Birth of Opera Baroque Vocal Styles Claudio Monteverdi MUSICURIOUS How Opera Makes Singers into International Stars Listening Guide: “Tu se’ morta” (“You Are Dead”) from Act Two of Orfeo by Claudio Monteverdi Opera Outside of Italy Featured Listening: “Thy Hand, Belinda” and “When I Am Laid in Earth,” from Act Three of Dido and Aeneas by Henry Purcell HEARING THE DIFFERENCE Dowland’s “Flow My Tears” and Purcell’s “When I Am Laid in Earth” Chapter 7 Cantata The Chorale The Sacred Cantata Listening Guide: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, fourth movement by Johann Sebastian Bach Featured Listening: “Wachet auf” (“Sleepers Awake”), Cantata no. 140, Seventh Movement by Johann Sebastian Bach Johann Sebastian Bach Chapter 8 Oratorio Oratorio MUSICURIOUS Oratorio or Opera? Know the Difference? George Frideric Handel Messiah Listening Guide: “Comfort Ye” from Messiah by George Frideric Handel Featured Listening: “Ev’ry Valley” from Messiah by George Frideric Handel Listening Guide: “Hallelujah” from Messiah George by Frideric Handel HEARING THE DIFFERENCE Bach’s “Wachet auf,” Cantata no. 140, seventh movement, and Handel’s “Hallelujah” Chorus Chapter 9 Baroque Solo and Chamber Music Keyboard Music Fugue Outline of the Exposition of “The Little Fugue in G Minor” Featured Listening: “The Little Fugue in G Minor” by Johann Sebastian Bach Suite MUSICURIOUS The King of Instruments Listening Guide: “Bourrée I” from Cello Suite no. 3 in C Major, BWV 1009 by Johann Sebastian Bach Baroque Sonata Elisabeth-Claude Jacquet de la Guerre Listening Guide: “Aria” (“Air”), sixth movement, from Sonata in D Minor for Violin and Basso Continuo by Elisabeth-Claude Jacquet De La Guerre Chapter 10 The Baroque Orchestra The Orchestra Listening Guide: “Minuet” from Water Music by George Frideric Handel MUSICURIOUS How Baroque Performers “Decorate” Music Concerto Grosso Listening Guide: Brandenburg Concerto no. 5, first movement by Johann Sebastian Bach Solo Concerto Antonio Vivaldi Featured Listening: “La Primavera” (“Spring”), first movement, from Le Quattro Stagione (The Four Seasons) by Antonio Vivaldi Listening Guide: “La Primavera” (“Spring”), second movement, from Le Quattro Stagione (The Four Seasons) by Antonio Vivaldi MUSICURIOUS Attending a Concert Listening Guide: “La Primavera” (“Spring”), third movement, from Le Quattro Stagione (The Four Seasons) by Antonio Vivaldi Characteristics of Baroque Music Prelude: The Classical Era: Reason and Revolution Chapter 11 The Classical Symphony The Form of Classical Multimovement Works Single-Movement Sonata Form Theme and Variations Form Minuet and Trio Form The Classical Orchestra MUSICURIOUS Why Composers Write “Boring” Slow Movements MUSICURIOUS What Does the Conductor Do? Wolfgang Amadeus Mozart Listening Guide: Symphony no. 40 in G Minor, first movement by Wolfgang Amadeus Mozart Featured Listening: “Surprise,” Symphony no. 94 in G Major, second movement by Franz Joseph Haydn Listening Guide: Symphony No. 40 In G Minor, third movement by Wolfgang Amadeus Mozart HEARING THE DIFFERENCE Vivaldi’s “La Primavera,” first movement, and Mozart’s Symphony No. 40 in G Minor, first movement Chapter 12 The Classical Concerto Concerto Soloists Double-Exposition Sonata Form Featured Listening: Piano Concerto no. 23 in A Major, first movement, K. 488 by Wolfgang Amadeus Mozart HEARING THE DIFFERENCE Bach’s Brandenburg Concerto no. 5, first movement, and Mozart’s Piano Concerto no. 23, first movement Chapter 13 Classical Chamber Music Chamber Sonatas Franz Joseph Haydn MUSICURIOUS Chamber Music Concerts Featured Listening: String Quartet op. 33, no. 3 (“The Bird”), fourth movement by Franz Joseph Haydn Rondo Form A Sonata for Flute and Guitar Listening Guide: Grande Sonata no. 85 for flute and guitar, third movement, Scherzo by Mauro Giuliani Chapter 14 Classical Vocal Music Haydn’s Vocal Music Classical Opera The Marriage of Figaro MUSICURIOUS Classical and Romantic Opera (The Castrato Bows Out) The Characters The Plot Listening Guide: “Non so più cosa son” (“I Don’t Know What I Am Anymore”) from Le Nozze di Figaro (The Marriage of Figaro) by Wolfgang Amadeus Mozart Featured Listening: “Non più andrai” (“No More Will You”) from Le Nozze di Figaro (The Marriage of Figaro) by Wolfgang Amadeus Mozart Chapter 15 The Music of Beethoven Ludwig van Beethoven Featured Listening: Symphony no. 5 in C Minor, first movement by Ludwig Van Beethoven Listening Guide: Symphony no. 5 in C Minor, second movement by Ludwig Van Beethoven Listening Guide: Symphony no. 5 in C Minor, third movement by Ludwig Van Beethoven Listening Guide: Symphony no. 5 in C Minor, fourth movement by Ludwig Van Beethoven The Classical Piano HEARING THE DIFFERENCE Haydn’s Symphony no. 94, second movement, and Beethoven’s Symphony no. 5, second movement Listening Guide: “Moonlight,” Piano Sonata no. 14 in C-sharp Minor, op. 27, no. 2, first movement by Ludwig Van Beethoven Characteristics of Classical Music Prelude: Music of the Romantic Era Chapter 16 Romantic Songs The Salon Art Song MUSICURIOUS How Does a Composer Write a Piece of Music? Franz Schubert Featured Listening: “Erlkönig” (“King of the Elves”) by Franz Schubert Robert and Clara Schumann Listening Guide: “Widmung” (“Dedication”) by Robert Schumann Listening Guide: “Liebst du um Schönheit” (“If You Love for Beauty’s Sake”) by Clara Wieck Schumann Chapter 17 Romantic Piano Music Frédéric Chopin and Franz Liszt Featured Listening: Nocturne, op. 9, no. 2 by Frédéric Chopin Listening Guide: Transcendental Étude no. 10 in F Minor by Franz Liszt Chapter 18 Romantic Program Music MUSICURIOUS Does the Listener Need to Know the Program in Program Music? Hector Berlioz Symphonie fantastique Featured Listening: Symphonie fantastique, fifth movement, “Dream of a Witches’ Sabbath” by Hector Berlioz HEARING THE DIFFERENCE Beethoven’s Symphony no. 5, first movement, and Berlioz’s Symphonie fantastique, fifth movement Other Program Music Chapter 19 Nationalism in the Romantic Era Bedřich Smetana Featured Listening: “The Moldau” by Bedřich Smetana Chapter 20 The Concert Overture Peter Ilyich Tchaikovsky Romeo and Juliet Overture MUSICURIOUS Romeo and Juliet: The Alternate Endings Featured Listening: Romeo and Juliet Overture by Peter Ilyich Tchaikovsky Chapter 21 The Romantic Concerto Felix Mendelssohn and Fanny Mendelssohn Hensel Mendelssohn’s Concerto Featured Listening: Violin Concerto in E Minor, op. 64, first movement by Felix Mendelssohn HEARING THE DIFFERENCE Vivaldi’s “La Primavera,” first movement, and Mendelssohn’s Violin Concerto, first movement Chapter 22 Romantic Choral Music Johannes Brahms Brahms’s Requiem Featured Listening: Ein Deutsches Requiem (A German Requiem), op. 45, fourth movement, “How Lovely Is Thy Dwelling Place” by Johannes Brahms Chapter 23 The Late Romantic Symphonies The Romantic Symphony Listening Guide: Symphony no. 4 in E Minor, fourth movement by Johannes Brahms Antonín Dvořák Featured Listening: From the New World, Symphony no. 9 in E Minor, fourth movement by Antonín Dvořák Other Late Romantics Listening Guide: Symphony no. 1 in D Major, third movement by Gustav Mahler Chapter 24 Romantic Opera in France and Italy French Opera Italian Opera Giuseppe Verdi MUSICURIOUS Attending an Opera Featured Listening: “O terra, addio” (“Oh Earth, Goodbye”) from Aida by Giuseppe Verdi Giacomo Puccini Listening Guide: “Sì, mi chiamano Mimì” (“Yes, They Call Me Mimi”) from La Bohème by Giacomo Puccini HEARING THE DIFFERENCE Mozart’s “Non più andrai” and Puccini’s “Si, mi chiamano Mimì” Chapter 25 Romantic German Opera Richard Wagner MUSICURIOUS Opera Productions Featured Listening: “Grane, mein Ross!” (“Grane, My Horse!”) and finale to Die Götterdämmerung (The Twilight of the Gods) from Der Ring des Nibelungen (The Ring of the Nibelung) by Richard Wagner Characteristics of Romantic Music Prelude: The Early Twentieth Century Chapter 26 Impressionism and Symbolism Claude Debussy Featured Listening: Prélude à L’après-midi d’un Faune (Prelude to The Afternoon of a Faun) by Claude Debussy Maurice Ravel HEARING THE DIFFERENCE Smetana’s “The Moldau” and Debussy’s Prélude à L’après-Midi d’un Faune Chapter 27 Primitivism and Neoclassicism Primitivism Igor Stravinsky MUSICURIOUS Music for Ballet Featured Listening: Le Sacre du printemps (The Rite of Spring), Introduction, “Auguries of Spring—Dances of the Young Girls,” and “The Ritual of Abduction” by Igor Stravinsky Neoclassicism Listening Guide: Symphony of Psalms, second movement by Igor Stravinsky Chapter 28 Eastern European Nationalism Béla Bartók Featured Listening: Concerto for Orchestra, fourth movement, “Interrupted Intermezzo” by Béla Bartók Chapter 29 Germanic Expressionism and the Development of Serialism MUSICURIOUS How Can Art Be Great If It Is Ugly? Arnold Schoenberg Featured Listening: “Der Mondfleck” (“Moonfleck”), no. 18, from Pierrot Lunaire (Moonstruck Pierrot) by Arnold Schoenberg Other Serial Composers Listening Guide: Five Pieces for Orchestra, op. 10, third movement by Anton Webern Characteristics of Twentieth-Century Music (to World War II) Prelude: American Innovations in the Arts Chapter 30 American Music Before World War II The Seventeenth Century The Eighteenth Century Featured Listening: “When Jesus Wept” by William Billings The Nineteenth Century Listening Guide: “Jeanie with the Light Brown Hair” by Stephen Foster After the Civil War Listening Guide: “Ah, Love, but a Day” by Amy Beach Chapter 31 Early Jazz Styles Origins of Jazz Listening Guide: “Village Celebration” by Mende Tribe of Sierra Leone Ragtime Listening Guide: “Maple Leaf Rag” by Scott Joplin The Blues MUSICURIOUS Improvisation Featured Listening: “Lost Your Head Blues” by Bessie Smith New Orleans Jazz Swing Jazz HEARING THE DIFFERENCE Foster’s “Jeanie With The Light Brown Hair” and Smith’s “Lost Your Head Blues” Listening Guide: “It Don’t Mean a Thing (If It Ain’t Got That Swing)” by Duke Ellington Chapter 32 Developments in Jazz in the Late Twentieth Century Bebop Featured Listening: “A Night in Tunisia” by Dizzy Gillespie Cool Jazz MUSICURIOUS Attending a Jazz Concert New Styles in the 1960s Fusion Listening Guide: “Miles Runs the Voodoo Down” (beginning) by Miles Davis HEARING THE DIFFERENCE Gillespie’s “A Night in Tunisia” and Davis’s “Miles Runs the Voodoo Down” Chapter 33 American Classical Music Influenced by Early Jazz George Gershwin Listening Guide: Rhapsody in Blue by George Gershwin William Grant Still Featured Listening: Afro-American Symphony, first movement by William Grant Still Chapter 34 Twentieth-Century American Classical Styles Charles Ives Listening Guide: The Unanswered Question by Charles Ives Aaron Copland Featured Listening: “Fanfare for the Common Man” by Aaron Copland Ellen Taaffe Zwilich Listening Guide: Symphony no. 1, first movement by Ellen Taaffe Zwilich HEARING THE DIFFERENCE Mozart’s Symphony no. 40, first movement, and Zwilich’s Symphony no. 1, first movement Chapter 35 Musical Theater Broadway Musicals Leonard Bernstein Featured Listening: “America” from West Side Story by Leonard Bernstein Later Musicals MUSICURIOUS Musicals and Operas: Similar, but Different Chapter 36 Film Music The Earliest Film Music Early Sound Films Later Film Scoring Practices Featured Listening: “Main Theme” from Star Wars by John Williams Trends in Movie Music Characteristics of Music in America Prelude: New Ideas and Styles from Twentieth-Century Internationalism Chapter 37 World Musics Musical Elements in Non-Western Musics Pitch and Scale Systems Harmony Rhythm Instruments Music from Indonesia Featured Listening: “Srepegan (slendro nim)” by Wayang Kulit and Dance Repertoire Music from China Listening Guide: “Moonlight on the Ching Yang River” by Yo Su-Nan Music from India Listening Guide: Folk Melody Based on Raga Des by Baluji Shrivastav Music from Africa Ewe Drum Ensembles Listening Guide: “Gadzo” (“Kayiboe, the Child Is Not Matured”) by Ewe of Ghana Chapter 38 Post–World War II Innovations Henry Cowell Featured Listening: “The Banshee” by Henry Cowell John Cage Listening Guide: Sonata V from Sonatas and Interludes for Prepared Piano by John Cage HEARING THE DIFFERENCE Wayang Kulit Gamelan Ensemble’s “Srepegan (Slendro Nim)” and Cage’s Sonata V Electronic Music Edgard Varèse Listening Guide: “Poème électronique” (“Electronic Poem”) by Edgard Varèse Terry Riley Listening Guide: In C by Terry Riley MUSICURIOUS Performing an Aleatoric Work Chapter 39 Minimalism and Postmodernism Philip Glass Featured Listening: Company, second movement by Philip Glass HEARING THE DIFFERENCE Haydn’s String Quartet, fourth movement, and Glass’s Company, second movement John Adams Listening Guide: “Short Ride in a Fast Machine” by John Adams Postmodernism Characteristics of Postmodernism John Corigliano Listening Guide: “All Along the Watchtower” by John Corigliano Characteristics of Non-Western-Influenced Music Glossary Performance Information Index