Gender and Short Fiction: Women’s Tales in Contemporary Britain
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Cover Half Title Title Page Copyright Page Dedication Contents Acknowledgements List of Contributors 1 Introduction PART I: Theorising Gender and Short Fiction 2 Genre and Gender in British Modern and Contemporary Short Fiction: a Meta-critical Approach PART II: In Carter’s Wake 3 The Legacy of Angela Carter: Ethics and Authorial Performance in Contemporary Short Fiction by Women 4 In the Company of Wolves: Women’s Fairy Tales after Carter PART III: Body Politics 5 Tales of Femininity and Sexuality: Competing Discourses and the Negotiation of Feminisms Today 6 Genealogies of Women: Discourses on Mothering and Motherhood in the Short Fiction of Michèle Roberts 7 “Oh Yes, Women Get Erect”: Dismantling Sexual Standards in Jeanette Winterson’s Short Fiction PART IV: Voicing Differently 8 (Un)gendering Voice and a ffect in a .L. Kennedy’s Short Fiction 9 What’s in an Echo? Voice, Gender and Genre in ali Smith’s Short Stories 10 In a Different Voice: Janice Galloway’s Short Stories 11 Speaking from Border Country: Colour as Fluid Identity Factor in the Short Stories of Jackie Kay PART V: Narrating Life 12 Stories told and Untold: Re-gendering World War I through Centenary Narratives 13 Women’s Transcultural Experience in A.S. Byatt’s Short Stories 14 “Why Don’t You Have a Go at a Novel?”: Gender through Genre in Helen Simpson’s Stories PART VI: Latest News 15 New Voices in British Short Stories by Women Index
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