ENGLISH

Expressionism and Poster Design in Germany 1905-1922: Between Spirit and Commerce

By Kathleen G. Chapman

Book information

Publisher
BRILL
Year
2019
ISBN
9004358943, 9789004358942, 789004380998
Language
english
Format
PDF
Filesize
14 MB (15084683 bytes)
Series
Brill’s Studies on Art, Art History, and Intellectual History, 32
Pages
384\386
Topic
Art
Time added
2023-05-15 21:34:42

Description

In 'Expressionism and Poster Design in Germany 1905–1925', Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a 'modern' image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism. Acknowledgements vii List of Figures x Introduction: Expressionism between Spirit and Commerce 1 1. Illustration, Abstraction, Advertising: Wilhelm Worringer and the Continuities of German Art 51 2. Hieroglyphic Appeal: the Visual Rhetoric of the German Object Poster, Werkbund Style, and Expressionist Art 87 3. Promoting Expressionism before Expressionism: Künstlergruppe Brücke and Theories of the Modern Image before World War I 137 4. From War to Revolution, from Propaganda to Art: Expressionism and Posters of the Revolutionary Period 197 5. Expressionism after Expressionism: “Dead” Expressionism and Theories of the Modern Image after World War I 259 Conclusion: Expressionism as Buzzword 328 Copyright of Figures 337 Bibliography 342 Index 364

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