The Sensible Stage: Staging and the Moving Image
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Exploring the use of live performance and the moving image in contemporary art practice, The Sensible Stage brings together essays that examine how elements from theater and cinema are integrated into art, often in order to question the boundaries and mediations between the body and the image. Opening with a discussion between prominent philosopher Alain Badiou and Elie During, this book offers a unique mixture of theoretical, creative, and discursive reflections on the meeting of stage and screen. This revised and expanded edition includes two new chapters that offer an updated look at how these ideas continue to develop in contemporary art practice. Dedication Contents Acknowledgements Introduction • Bridget Crone Chapter I: A Theatre of Operations: A Discussion between Alain Badiou and Elie During Chapter II: Performer, Audience, Mirror: Cinema, Theatre and the Idea of the Live • Ian White Chapter III: ‘Je suis photographe’: Figures of Cinematic Narrators • Vanessa Desclaux Chapter IV: Spectators, Objects and Infrastructures: A Discussion between • Dan Kidner and Bridget Crone Chapter V: Treatise on Movement • Beatrice Gibson Chapter VI: Moving Poses / Arresting Feeling: Jimmy Robert’s L’Education Sentimentale • Dominic Andrew Paterson Chapter VII: Between the Body and Object the Voice Appears: Yael Davids’ Learning to Imitate and Learning to Imitate in Absentia • Lisa Panting Chapter VIII: The Subject in Process: Material Equations in the Work of Carolee Schneemann and Annabel Nicolson • Lucy Reynolds Chapter IX: Working Songs: ‘yes to the connection between voice and audience’ • Anne-Sophie Dinant Chapter X: The Gesture of the Muted Voice: Cara Tolmie’s Myriad Mouth Line • Mason Leaver-Yap Chapter XI: The Divided Stage: Splitting the Dialectics of Performance • Pil and Galia Kollectiv Chapter XII: Notes Towards a Sensible Stage • Bridget Crone Contributors
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