ENGLISH

Open Graves, Open Minds: Representations of Vampires and the Undead From the Enlightenment to the Present Day

By Samantha George and Bill Hughes (eds.)

Book information

Publisher
Manchester University Press
Year
2013
ISBN
978-0-7190-8941-1
Language
english
Format
PDF
Filesize
4 MB (4378766 bytes)
Pages
336\335
Time added
2019-11-11 00:00:02

Description

This collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change. A coherent narrative follows Enlightenment studies of the vampire's origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu's Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-siècle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola's film, Bram Stoker's Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more. Featuring distinguished contributors, including a prominent novelist, and aimed at interdisciplinary scholars or postgraduate students, it will also appeal to aficionados of creative writing and Undead enthusiasts. www.opengravesopenminds.com Open graves, open minds: Representations of vampires and the Undead from the Enlightenment to the present day......Page 1 Half Title page......Page 2 Title Page......Page 4 Copyright......Page 5 Contents......Page 6 List of figures......Page 8 Notes on contributors......Page 12 Acknowledgements......Page 16 Preface......Page 18 1. Introduction: Sam George and Bill Hughes......Page 22 2. The deformed transformed; or, from bloodsucker to Byronic hero – Polidori and the literary vampire: Conrad Aquilina......Page 45 3. Sheridan Le Fanu’s vampires and Ireland’s invited invasion: Julieann Ulin......Page 60 4. ‘He make in the mirror no reflect’: undead aesthetics and mechanical reproduction – Dorian Gray, Dracula and David Reed’s ‘vampire painting’: Sam George......Page 77 5. The vampire as dark and glorious necessity in George Sylvester Viereck’s House of the Vampire and Hanns Heinz Ewers’s Vampir: Lisa Lampert-Weissig ......Page 100 6. The Undead in the kingdom of shadows: the rise of the cinematic vampire: Stacey Abbott......Page 117 7. Crossing oceans of time: Stoker, Coppola and the ‘new vampire’ film: Lindsey Scott......Page 134 8. ‘I feel strong. I feel different’: transformations, vampires and language in Buffy the Vampire Slayer: Malgorzata Drewniok......Page 152 9. Gothic Charm School; or, how vampires learned to sparkle: Catherine Spooner: Catherine Spooner......Page 167 10. A vampire heaven: the economics of salvation in Dracula and the Twilight Saga: Jennifer H. Williams......Page 186 11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body¹: Sara Wasson and Sarah Artt......Page 202 12. The postmodern vampire in ‘post-race’ America: HBO’s True Blood: Michelle J. Smith......Page 213 13. Myriad mirrors: doppelgängers and doubling in The Vampire Diaries: Kimberley McMahon-Coleman......Page 231 14. The vampire in the machine: exploring the undead interface: Ivan Phillips......Page 246 15. ‘Legally recognised undead’: essence, difference and assimilation in Daniel Waters’s Generation Dead: Bill Hughes......Page 266 16. The elusive vampire: folklore and fiction – writing My Swordhand Is Singing: Marcus Sedgwick......Page 285 References......Page 297 Index......Page 322

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