ENGLISH

The dramaturgy of style: voice in short fiction

By Michael Gregory Stephens

Book information

Publisher
Southern Illinois University Press
Year
1986
ISBN
080931231X, 9780809312313
LCC
PN3355 .S77 1986
Google Books ID
r5hZAAAAMAAJ
Open Library ID
OL2533614M
Language
english
Format
EPUB
Filesize
502 kB (513649 bytes)
Edition
1st
Pages
\0
Time added
2011-08-31 04:54:40

Description

One of America’s best young writers pre­sents a critical appreciation of voice in short fiction, using drama and poetry to frame his discussion. Discussing contemporary voice in American fiction, Stephens says: “There is a cadence which the writer steals from the actual, shaping this rhythm into the voice of fiction. When tension enters into the equation of speech and voice, drama­turgical moments occur. Actors trans­form words into living moments. So do writers.” Stephens draws on world literature to illustrate his concept of voice. He dis­cusses early influences such as Beckett, Kafka, Borges, and Babel. He focuses on Paul Blackburn, Joel Oppenheimer, Gil­bert Sorrentino, Hubert Selby, Jr., Viet­nam war fiction writers (Larry Heine­mann, Gustav Hasford, Stephen Wright, W. D. Ehrhart, Robert Auletta, among others), Theresa Hak Kyung Cha, Stephen Dixon, Harold Pinter, Sam Shepard, David Mamet, and a host of others.

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