From Steam to Screen: Cinema, the Railways and Modernity

Description

In late nineteenth and early twentieth century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and changing role within the empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond. Cover Author bio Endorsement Series information Title page Copyright information Table of contents List of Illustrations Acknowledgements Additional Acknowledgements General Editor’s Introduction Introduction Intersections Space and Time Approaching the Past 1 Ghost Stories, Phantom Rides and Class at the Cinematograph Show Ghosts in Victorian Culture The Phantom Aesthetics of Early Cinema Class and the ‘Panicking Audience’ Phantom Rides and Rural Modernity Railways and Countryside Cinematograph Shows Conclusion 2 Ambulance Trains and Domestic Conflict in the First World War The Ambulance Train Visual Culture in the First World War The Ambulance Train on Screen A Shared Vocabulary Conclusion 3 Train Crashes, Cinema Fires, and the Precarious Modern Woman The ‘Modern’ Woman Dangerous Machines Precarious Women Precarious Modern Women and Onscreen Machines Conclusion 4 Child Evacuees and Rural Modernity in the Second World War The (in)Visible Child in Urban and Rural Spaces Child Evacuees as Railway Tourists The Movie House and Making a ‘Home From Home’ Film Exhibition and Children’s Spectatorship Conclusion 5 The Cinema Train, Modernity and Empire The Emergence of the Movie Coach Inside the Cinema Train The Cinema Train’s Afterlife Conclusion Epilogue Notes Bibliography Archives Selected Works Consulted Index