ENGLISH

Rethinking Dance History: Issues and Methodologies

Book information

Publisher
Routledge
Year
2017
ISBN
2016057909, 9781138682900, 9781138682917, 9781315544854
Language
english
Format
PDF
Filesize
1 MB (1339399 bytes)
Edition
2
Pages
\273
Time added
2021-05-29 20:31:55

Description

Cover Title Copyright Dedication Contents Notes on contributors Preface to the second edition PART 1 Why dance history? Introduction to Part 1: why dance history? 1 Memory, history and the sensory body: dance, time, identity 2 Cara tranders’s reveries: the Autobiography of Cara Tranders, Ballet Girl at the Empire Palace of Varieties, 1892–99 3 Beyond fixity: Akram Khan on the politics of dancing heritages 4 African-American dance revisited: undoing master narratives in the studying and teaching of dance history 5 Dance works, concepts and historiography 6 Reconstruction and dance as embodied textual practice 7 Preserving the repertory and extending the heritage of Merce Cunningham 8 Making dance history live – performing the past PART 2 Researching and writing Introduction to Part 2: researching and writing 9 Destabilising the discipline: critical debates about history and their impact on the study of dance 10 Decolonising dance history 11 Many sources, many voices 12 ‘Dream no small dreams!’: impossible archival imaginaries in dance community archiving in a digital age 13 When place matters: provincializing the ‘global’ 14 Considering causation and conditions of possibility: practitioners and patrons of new dance in progressive-era America 15 ‘Dancin’ in the street’: street dancing on film and video from Fred Astaire to Michael Jackson 16 Judson: redux and remix 17 Ruth page, feminine subjectivity, and generic subversion 18 Extensions: Alonzo King and Ballet’s LINES 19 Giselle and the Gothic: contesting the Romantic idealisation of the woman Index

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