Quaint, exquisite: Victorian aesthetics and the idea of Japan
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From the opening of trade with Britain in the 1850s, Japan occupied a unique and contradictory place in the Victorian imagination, regarded as both a rival empire and a cradle of exquisite beauty. This text explores the enduring impact of this dramatic encounter, showing how the rise of Japan led to a major transformation of Western aesthetics at the dawn of globalization. The work provides a radical new genealogy of aesthetic experience in modernity. It argues that the global popularity of Japanese art in the late nineteenth century reflected an imagined universal standard of taste that Kant described as the 'subjective universal' condition of aesthetic judgment.
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