Filmmaking As Research: Screening Memories
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Description
This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to ”revision” memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing. Front Matter ....Pages i-xiii Beginnings (Diane Charleson)....Pages 1-9 My Research Journey (Diane Charleson)....Pages 11-30 Thematic Concentrations: My Research World (Diane Charleson)....Pages 31-50 Rose’s Stories (Diane Charleson)....Pages 51-68 Video Installation and the Agency of the Viewer (Diane Charleson)....Pages 69-85 Creating the Still Frame (Diane Charleson)....Pages 87-108 Remixed Memories (Diane Charleson)....Pages 109-133 Endings and Futures (Diane Charleson)....Pages 135-143 Back Matter ....Pages 145-147
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