Turks, Repertories, and the Early Modern English Stage

Description

This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement. Front Matter ....Pages i-ix Introduction (Mark Hutchings)....Pages 1-21 1453 and All That (Mark Hutchings)....Pages 23-63 Henslowe’s Turks (Mark Hutchings)....Pages 65-115 The Turk Play and Repertory Modelling (Mark Hutchings)....Pages 117-149 Shakespeare’s Turks (Mark Hutchings)....Pages 151-193 Conclusion: Repertory Geographies and Theatregoing (Mark Hutchings)....Pages 195-202 Back Matter ....Pages 203-254