ENGLISH

Gender and Sexuality in East German Film: Intimacy and Alienation

By Kyle Frackman , Faye Stewart

Book information

Publisher
Camden House
Year
2018
ISBN
978-1571139924
Language
english
Format
PDF
Filesize
7 MB (7311393 bytes)
Series
Screen Cultures: German Film and the Visual
Pages
297\297
Time added
2019-04-20 11:30:52

Description

The cinema of the German Democratic Republic, that is, the cinema of its state-run studio DEFA, portrayed gender and sexuality in complex and contradictory ways. In doing so, it reflected the contradictions in GDR society in respect to such questions. This is the first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres (from shorts and feature films to educational videos, television productions, and documentaries) and in light of social, political, and cultural contexts. It is also unique in its investigation of previously unresearched subjects, including films and directors that have received little scholarly attention and nonconformist representations of gender and sexual embodiments, identifications, and practices. The volume presents the work of leading scholars on the GDR and allows students and scholars to examine East German film with respect to the acceptance, rejection, or nuanced negotiation of ideas of proper male and female behavior espoused by the country's brand of socialism. Frontcover......Page 1 Contents......Page 6 Acknowledgments......Page 8 List of Abbreviations......Page 10 Introduction: Sex and Socialism in East German Cinema......Page 12 1: Hypnagogic Mothers: Gender, Amateur Film Labor, and the Transmissive Materiality of the Maternal Body......Page 33 2: Powerless Heroines: Gender and Agency in DEFA Films of the 1960s and 1970s......Page 53 3: Jutta Hoffmann and the Dialectics of Happiness: A Socialist Star in Close-Up......Page 73 4: Who Is the “Third”? Homosociality and Queer Desire in Der Dritte......Page 95 5: Volatile Intimacies and Queer Polyamory in GDR Film......Page 115 6: Interracial Romance, Taboo, and Desire in the Eastern Counter-Western Blutsbrüder......Page 137 7: The Desire to Be Desired? Solo Sunny as Socialist Woman’s Film......Page 157 8: Ambivalent Sexism: Gender, Space, Nation, and Renunciation in Unser kurzes Leben......Page 177 9: Dealing with Cancer, Dealing with Love: Gender, Relationships, and the GDR Medical System in Lothar Warneke’s Die Beunruhigung......Page 196 10: Reimagining Woman: The Early Shorts of Helke Misselwitz......Page 215 11: Shame and Love: East German Homosexuality Goes to the Movies......Page 236 12: Gendered Spectacle: The Liberated Gaze in the DEFA Film Der Strass......Page 260 Notes on the Contributors......Page 280 Index......Page 284

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