ENGLISH

The Phenomenology of Aesthetic Consciousness and Phantasy Working with Husserl

Book information

Publisher
Routledge
Year
2022
ISBN
9781032079462, 9781032080239, 9781003212553
Language
english
Format
PDF
Filesize
14 MB (15069835 bytes)
Series
Routledge Research in Aesthetics
Pages
189\189
Topic
Other Social Sciences\\Philosophy
Time added
2023-02-27 15:14:44

Description

This is the first book dedicated to Husserl’s aesthetics. Paul Crowther pieces together Husserl’s ideas of phantasy and image and presents them as a unified and innovative account of aesthetic consciousness. He also shows how Husserl’s ideas can be developed to solve problems in aesthetics, especially those related to visual art, literature, theatre, and nature. After outlining the major components of Husserl’s phenomenological method, Crowther addresses the scope and structure of Husserl’s notion of aesthetic consciousness. For Husserl, aesthetic consciousness in all its forms involves phantasy—where items or states of affairs are represented as if actually perceived or experienced, even though they are not, in fact, given in the present perceptual field. Husserl also makes some extraordinarily interesting links between aesthetic consciousness and nature, showing how natural things and environments become instigators of such consciousness when apprehended in the appropriate terms. This "unreality" of the object of aesthetic consciousness anticipates contemporary debates about pictorial representation and is also relevant to Husserl’s accounts of literature and theatre. The Phenomenology of Aesthetic Consciousness and Phantasy will appeal to scholars and advanced students interested in aesthetics, philosophy of art, phenomenological aesthetics, and Husserl’s philosophy. Cover Endorsement Page Half Title Series Page Title Page Copyright Page Table of Contents List of Figures Introduction: Husserl’s Phenomenology and Phenomenological Aesthetics I II Notes Chapter 1: The Scope of Aesthetic Consciousness I II III IV Conclusion Notes Chapter 2: The Phenomenology of Visual Representation I II III IV Conclusion Notes Chapter 3: Aesthetic Form and the Phenomenological Reduction I II III Conclusion Notes Chapter 4: The Phenomenology of Literature, Theatre, and Music I II III IV Conclusion Notes Chapter 5: Final Review: And Some Glimpses of the Digital Notes Bibliography Books Online Resources Index

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