Social Works: Performing Art, Supporting Publics

Description

‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice. Cover SOCIAL WORKS Copyright Contents List of Figures Prologue: Pacing in Public Chapter 1: Performance, Aesthetics, and Support Chapter 2: Quality Time: Social Practice Debates in Contemporary Art Chapter 3: High Maintenance: The Sanitation Aesthetics of Mierle Laderman Ukeles Chapter 4: Staged Management: Theatricality and Institutional Critique Chapte 5: Tech Support: Labor in the Global Theatres of The Builders Association and Rimini Protokoll Chapter 6: Welfare Melancholia: The Public Works of Michael Elmgreen and Ingar Dragset Chapter 7: Unfederated Theatre: Paul Chan Waiting in New Orleans Epilogue: Dependent Care Notes Bibliography Index