Insights and Essays on the Music Performance Library

Description

Chapter 1. The variety of performance librarians. Band librarian / Sarah Anderson ; Opera librarian / Paul J. Beck ; Music festival librarian / Elizabeth Cusato ; Music publisher rental librarian / Amy Diane Dickinson ; College and conservatory librarian / Erika Kirsch ; How to run a choral library / Sally Millar ; Ballet music librarian / Matthew Naughtin ; Jazz at Lincoln Center / Kay Niewood and Christianna English ; Does the high school music department need a librarian? / Walter O'Keefe ; Film and studio librarian: music preparation for film soundtrack recording sessions / Eric Swanson -- Chapter 2. The librarian and the ... Orchestra conductor / James DePreist ; Wind band conductor / Michael J. Colburn ; Composer / Ellen Taaffe Zwilich ; Music dealer / Carla Boyer ; Music publisher / Rachel Peters.;Music information centres / Jari Eskola ; Small rights, and print, mechanical and synchronization licensing / Jane Cross ; Grand rights / Robert Sutherland ; Important features to look for in a performance library copier / Courtney Secoy Cohen ; Using a database / Michael K. Runyan -- Chapter 5. Additional responsibilities. Working with a composer: the process of music editing / Charlie Harmon ; Orchestra tours / John G. Van Winkle ; Preservation in the performance library / D. Michael Ressler ; Using technology and community partnerships to archive your orchestral collection / Robert Olivia ; Input on your output: thoughts from a professional music copyist / Douglas Richard ; The art of the retouche (Does Beethoven know what we're doing?) / Marshall Burlingame.;Chapter 3. Aspects of the profession. So, you think you might want to be an orchestra librarian? / Lawrence Tarlow ; Auditioning and interviewing for the performance librarian / Sara Griffin ; Teach our own / Paul Gunther ; The librarian as mentor -- hand to hand / Elena Lence Talley ; Communication: say what?! / Marcia Farabee ; Strength-based organization, communication pattern and work values / Kazue McGregor ; The "one man" show / Patrick McGinn ; Beyond the library / Karen Schnackenberg -- Chapter 4. Nuts and bolts. Advance planning / Robert Sutherland ; Where are those orchestra parts? / Clinton F. Nieweg and Jennifer A. Johnson ; Choosing editions / Ronald Whitaker ; Proofreading / Bill Holab ; Orchestral "pops" music: take nothing for granted / Ella M. Fredrickson. Chapter 1. The variety of performance librarians. Band librarian / Sarah Anderson Opera librarian / Paul J. Beck Music festival librarian / Elizabeth Cusato Music publisher rental librarian / Amy Diane Dickinson College and conservatory librarian / Erika Kirsch How to run a choral library / Sally Millar Ballet music librarian / Matthew Naughtin Jazz at Lincoln Center / Kay Niewood and Christianna English Does the high school music department need a librarian? / Walter O'Keefe Film and studio librarian: music preparation for film soundtrack recording sessions / Eric Swanson -- Chapter 2. The librarian and the ... Orchestra conductor / James DePreist Wind band conductor / Michael J. Colburn Composer / Ellen Taaffe Zwilich Music dealer / Carla Boyer Music publisher / Rachel Peters. Chapter 3. Aspects of the profession. So, you think you might want to be an orchestra librarian? / Lawrence Tarlow Auditioning and interviewing for the performance librarian / Sara Griffin Teach our own / Paul Gunther The librarian as mentor -- hand to hand / Elena Lence Talley Communication: say what?! / Marcia Farabee Strength-based organization, communication pattern and work values / Kazue McGregor The "one man" show / Patrick McGinn Beyond the library / Karen Schnackenberg -- Chapter 4. Nuts and bolts. Advance planning / Robert Sutherland Where are those orchestra parts? / Clinton F. Nieweg and Jennifer A. Johnson Choosing editions / Ronald Whitaker Proofreading / Bill Holab Orchestral "pops" music: take nothing for granted / Ella M. Fredrickson. Music information centres / Jari Eskola Small rights, and print, mechanical and synchronization licensing / Jane Cross Grand rights / Robert Sutherland Important features to look for in a performance library copier / Courtney Secoy Cohen Using a database / Michael K. Runyan -- Chapter 5. Additional responsibilities. Working with a composer: the process of music editing / Charlie Harmon Orchestra tours / John G. Van Winkle Preservation in the performance library / D. Michael Ressler Using technology and community partnerships to archive your orchestral collection / Robert Olivia Input on your output: thoughts from a professional music copyist / Douglas Richard The art of the retouche (Does Beethoven know what we're doing?) / Marshall Burlingame.