The Reception of Byzantium in European Culture since 1500

Description

Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of 'Byzantium after Byzantium'. This collection of essays uses the idea of 'reception-theory' and expands it to sh.  Read more... Cover Half Title Title Page Copyright Page Contents List of Figures Acknowledgements Introduction PART I: USES OF BYZANTIUM 1 Whose Byzantinism -- Ours or Theirs? On the Issue of Byzantinism from a Cultural Semiotic Perspective 2 Hieronymus Wolf as Editor and Translator of Byzantine Texts 3 The Second Rome as Seen by the Third: Russian Debates on 'the Byzantine legacy' 4 (Saint) Helena of Sofia: The Evolution of the Memory of Saint Constantine's Mother PART II: ART AND MUSIC 5 Byzantium: A Night at the Opéra 6 Byzantium in Bavaria. 7 Memory, Mosaics and the Monarch: The Neo-Byzantine Mosaics in the Kaiser-Wilhelm-Gedächtniskirche8 Typecasting Byzantium: Perpetuating the Nineteenth-Century British Pro-Classical Polemic PART III: LITERATURE 9 Les Amours d'Ismène & Isménias, 'roman très connu': The Afterlife of a Byzantine Novel in Eighteenth-Century France 10 The Adoption of Byzantine Motifs in Nineteenth- and Twentieth-Century Czech and Moravian Historical Novel Production 11 Byzantium in the Polish Mirror: Byzantine Motifs in Polish Literature in the Nineteenth and Twentieth Centuries. 12 'Constantinople Our Star': The Image of Byzantium and Byzantine Aesthetics in Fin-de-Siècle and Modernist PoetryByzantine Receptions: An Afterword Indices.