Art History, 5th Edition
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The most student-friendly, contextual, and inclusive survey is now personalized, digital, and mobile for today’s students. Art History, 5/e continues to balance formal analysis with contextual art history in order to engage a diverse student audience. Authors Marilyn Stokstad and Michael Cothren, both scholars as well as teachers, share a common vision that survey courses should be filled with as much enjoyment as learning, and that they should foster an enthusiastic, as well as an educated, public for the visual arts. This revision is the strongest and most comprehensive learning program for measuring student progress and improving student success in attaining the outcomes and goals of the art history survey course. Not only does the text address four overarching goals of the survey course, the new MyArtsLab further develops and reinforces these outcomes and skills with market-leading learning tools such as personalized study plans for each student and multimedia assets geared towards addressing different learning styles and abilities, such as chapter audio, student videos, Closer Looks, architectural panoramas and much more. The end result is a complete learning program designed to increase students’ success with a personalized, digital and a highly mobile learning experience. Teaching and Learning Experience This program will provide a better teaching and learning experience—for you and your students. It: Personalizes Learning with MyArtsLab: MyArtsLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructors gauge individual and class performance. Creates a Modern Mobile Digital Experience: Make learning easy and convenient with our on-the-go eTexts and key learning applications. Pearson Custom eText provides instructors and students with a whole new online customizable learning experience. Includes Tools to Improve Critical Thinking: Key Learning Outcomes encourage students to think critically about visual arts as part of the larger world. Engages Students: Updated scholarship, MyArtsLab, and the readability of the text provide a wonderful engaging student experience. Provides Outstanding Instructor Support: With a wealth of online resources, instructors have videos, images, and teaching support materials to create a dynamic, engaging course. Cover......Page 1 Title Page......Page 2 Copyright Page......Page 3 Contents......Page 5 Letter from the Author......Page 15 What’s New......Page 16 MyArtsLab......Page 17 Pearson Choices......Page 19 Acknowledgments and Gratitude......Page 20 Use Notes......Page 22 Starter Kit......Page 23 Introduction......Page 27 CHAPTER 1 Prehistoric Art......Page 44 THE PALEOLITHIC PERIOD......Page 45 Shelter or Architecture?......Page 47 Artifacts or Works of Art?......Page 48 Prehistoric Wall Painting......Page 51 Cave Sculptures......Page 54 How Early Art is Dated......Page 55 Architecture......Page 56 Pottery and Ceramics......Page 63 The Bronze Age......Page 66 Rock Carvings......Page 67 The Power of Naming......Page 49 Intentional House Burning......Page 59 Prehistoric Woman and Man......Page 65 A House in Çatalhöyük......Page 58 Early Construction Methods......Page 62 CHAPTER 2 Art of the Ancient Near East......Page 70 Sumer......Page 71 Akkad......Page 78 THE HITTITES OF ANATOLIA......Page 80 Kalhu......Page 81 Dur Sharrukin......Page 84 Enemies Crossing the Euphrates to Escape Assyrian Archers......Page 85 PERSIA......Page 87 Art as Spoils of War—Protection or Theft?......Page 77 The Code of Hammurabi......Page 82 A Lyre from a Royal Tomb in Ur......Page 75 Cuneiform Writing......Page 73 CHAPTER 3 Art of Ancient Egypt......Page 92 The God-Kings......Page 93 Egyptian Symbols......Page 94 Preserving the Dead......Page 96 The Great Pyramids at Giza......Page 99 Sculpture......Page 101 Pictorial Relief in Tombs......Page 104 Rock-Cut Tombs......Page 105 Funerary Stelai......Page 106 The Great Temple Complexes......Page 108 Hatshepsut......Page 110 The Tomb of Ramose......Page 112 Akhenaten and the Art of the Amarna Period......Page 113 The Return to Tradition: Tutankhamun and Ramses II......Page 116 THE THIRD INTERMEDIATE PERIOD, C. 1075–715 BCE......Page 120 LATE EGYPTIAN ART, C. 715–332 BCE......Page 121 The Temples of Ramses II at Abu Simbel......Page 117 The Palette of Narmer......Page 95 Mastaba to Pyramid......Page 98 Egyptian Pictorial Relief......Page 107 Glassmaking......Page 119 How Early Art is Dated......Page 122 CHAPTER 4 Art of the Ancient Aegean......Page 124 THE CYCLADIC ISLANDS......Page 125 The Old Palace Period, C. 1900–1700 BCE......Page 127 Pioneers of Aegean Archaeology......Page 128 Aegean Metalwork......Page 133 The “Flotilla Fresco” from Akrotiri......Page 135 The “Mask of Agamemnon”......Page 140 Ceramic Arts......Page 142 The Lion Gate......Page 138 CHAPTER 5 Art of Ancient Greece......Page 144 The Geometric Period......Page 145 THE ARCHAIC PERIOD, C. 600–480 BCE......Page 148 The Sanctuary at Delphi......Page 150 Temples......Page 151 Free-standing Sculpture......Page 157 Painted Pots......Page 160 Classic and Classical......Page 163 Ceramic Painting......Page 169 The Riace Warriors......Page 170 The Akropolis......Page 171 The Parthenon......Page 172 The Propylaia and the Erechtheion......Page 178 The Athenian Agora......Page 180 City Plans......Page 181 Women at a Fountain House......Page 182 Painting......Page 183 THE LATE CLASSICAL PERIOD, C. 400–323 BCE......Page 184 Sculpture......Page 185 Painting and Mosaics......Page 188 The Corinthian Order in Hellenistic Architecture......Page 190 Sculpture......Page 192 Greek and Roman Deities......Page 147 Who Owns the Art? The Elgin Marbles and the Euphronios Krater......Page 176 Greek Theaters......Page 191 The Celts......Page 193 The Tomb of the Diver......Page 167 The Death of Sarpedon......Page 162 The Greek Orders......Page 153 Color in Greek Sculpture......Page 156 Black-Figure and Red-Figure......Page 161 “The Canon” of Polykleitos......Page 177 CHAPTER 6 Etruscan and Roman Art......Page 200 Etruscan Temples......Page 201 Tomb Chambers......Page 203 Works in Bronze......Page 207 THE REPUBLIC, 509–27 BCE......Page 209 Roman Writers on Art......Page 210 THE EARLY EMPIRE, 27 BCE–96 CE......Page 214 The Julio-Claudians......Page 215 Roman Cities and the Roman Home......Page 219 Wall Painting......Page 222 The Flavians......Page 227 Imperial Architecture......Page 233 Imperial Portraits......Page 243 Sarcophagus with the Indian Triumph of Dionysus......Page 245 The Severan Dynasty......Page 246 The Soldier Emperors......Page 248 Constantine the Great......Page 250 Roman Art after Constantine......Page 254 Roman Portraiture......Page 211 August Mau’s Four Styles of Pompeian Painting......Page 225 A Painter at Work......Page 226 The Ara Pacis Augustae......Page 217 Roman Architectural Orders......Page 204 The Roman Arch......Page 213 Roman Vaulting......Page 230 Concrete......Page 237 Roman Mosaics......Page 242 The Capitoline She-Wolf......Page 208 The Mildenhall Treasure......Page 255 CHAPTER 7 Jewish and Early Christian Art......Page 258 Early Jewish Art......Page 259 Early Christian Art......Page 263 Rome......Page 266 Ravenna and Thessaloniki......Page 270 The Life of Jesus......Page 273 The Oratory of Galla Placidia in Ravenna......Page 271 The Mosaic Floor of the Beth Alpha Synagogue......Page 262 Longitudinal-Plan and Central-Plan Churches......Page 268 Dura-Europos......Page 264 CHAPTER 8 Byzantine Art......Page 276 BYZANTIUM......Page 277 The Golden Age of Justinian......Page 278 Objects of Veneration and Devotion......Page 287 Icons and Iconoclasm......Page 289 Architecture and Wall Painting in Mosaic and Fresco......Page 291 Precious Objects of Commemoration, Veneration, and Devotion......Page 298 Constantinople: The Chora Church......Page 301 Icons......Page 305 Naming Christian Churches: Designation + Dedication + Location......Page 282 Scroll and Codex......Page 288 Iconoclasm......Page 290 The Funerary Chapel of Theodore Metochites......Page 303 Icon of St. Michael the Archangel......Page 300 Pendentives and Squinches......Page 281 CHAPTER 9 Islamic Art......Page 308 ISLAM AND EARLY ISLAMIC SOCIETY......Page 309 Ornament......Page 311 Architecture......Page 312 Calligraphy......Page 318 Lusterware......Page 319 Architecture......Page 320 Luxury Arts......Page 326 The Arts of the Book......Page 327 The Ottoman Empire......Page 329 The Safavid Dynasty......Page 332 THE MODERN ERA......Page 334 The Five Pillars of Islam......Page 314 The Great Mosque of Cordoba......Page 315 A Mamluk Glass Oil Lamp......Page 322 Arches......Page 317 Carpet Making......Page 335 CHAPTER 10 Art of South and Southeast Asia before 1200......Page 338 The Indus Civilization......Page 339 The Maurya Period......Page 342 Buddhism......Page 344 The Kushan Period......Page 349 Mudras......Page 351 Other Developments, Fourth–Sixth Century......Page 355 The Pallava Period......Page 358 The Seventh Through Twelfth Centuries......Page 360 The Chola Period......Page 363 Early Southeast Asia......Page 364 Sixth to the Ninth Century......Page 366 Tenth Through Twelfth Centuries......Page 370 Hinduism......Page 352 Shiva Nataraja of the Chola Dynasty......Page 365 The Great Departure......Page 347 Stupas and Temples......Page 345 CHAPTER 11 Chinese and Korean Art before 1279......Page 374 Liangzhu Culture......Page 375 Shang Dynasty......Page 377 Piece-Mold Casting......Page 378 THE CHINESE EMPIRE: QIN DYNASTY......Page 379 Daoism......Page 381 Painting......Page 384 Calligraphy......Page 386 Buddhist Art and Architecture......Page 387 Buddhist Art and Architecture......Page 388 Figure Painting......Page 390 SONG DYNASTY......Page 391 Pagodas......Page 394 Southern Song Painting and Ceramics......Page 397 The Three Kingdoms Period......Page 399 The Unified Silla Period......Page 400 Goryeo Dynasty......Page 401 Chinese Characters......Page 380 Confucius and Confucianism......Page 385 The Silk Road during the Tang Period......Page 392 A Reception in the Palace......Page 383 CHAPTER 12 Japanese Art before 1333......Page 404 Kofun Period......Page 405 ASUKA PERIOD......Page 407 Writing, Language, and Culture......Page 408 NARA PERIOD......Page 410 Esoteric Buddhist Art......Page 412 Pure Land Buddhist Art......Page 414 Secular Painting and Calligraphy......Page 416 KAMAKURA PERIOD......Page 419 Arms and Armor......Page 420 Zen Buddhist Art......Page 424 Buddhist Symbols......Page 411 Daruma, Founder of Zen......Page 423 The Tale of Genji......Page 417 Joined-Block Wood Sculpture......Page 415 The Great Buddha Hall......Page 413 CHAPTER 13 Art of the Americas before 1300......Page 426 The Olmec......Page 427 Teotihuacan......Page 430 Maya Writing......Page 433 CENTRAL AMERICA......Page 439 Andean Textiles......Page 440 Chavin de Huantar......Page 441 The Moche Culture......Page 442 The East......Page 444 The North American Southwest......Page 447 The Cosmic Ballgame......Page 438 Rock Art......Page 449 Shield Jaguar and Lady Xok......Page 437 CHAPTER 14 Early African Art......Page 452 AFRICAN ROCK ART......Page 453 Saharan Rock Art......Page 454 The Myth of “Primitive” Art......Page 455 Southern African Rock Art......Page 457 Ife......Page 458 Roped Pot on a Stand......Page 459 OTHER URBAN CENTERS......Page 462 Jenné......Page 465 Great Zimbabwe......Page 466 Aksum and Lalibela......Page 467 Kongo Kingdom......Page 468 EXPORTING TO THE WEST......Page 470 A Warrior Chief Pledging Loyalty......Page 463 Lost-Wax Casting......Page 461 CHAPTER 15 Early Medieval Art in Europe......Page 472 THE EARLY MIDDLE AGES......Page 473 Defining the Middle Ages......Page 474 The Celts and Anglo-Saxons in Britain......Page 476 Illustrated Books......Page 478 Beatus Manuscripts......Page 482 The Oseberg Ship......Page 484 Timber Architecture......Page 485 Carolingian Architecture......Page 487 Illustrated Books......Page 491 Psalm 23 in the Utrecht Psalter......Page 493 Ottonian Architecture......Page 495 Ottonian Sculpture......Page 497 Illustrated Books......Page 499 The Medieval Scriptorium......Page 481 The Lindisfarne Gospels......Page 479 Sutton Hoo......Page 477 CHAPTER 16 Romanesque Art......Page 502 The Church......Page 503 ROMANESQUE ART......Page 504 ARCHITECTURE......Page 505 Pilgrimage Churches......Page 506 Cluny......Page 508 The Cistercians......Page 511 Regional Styles in Romanesque Architecture......Page 512 Secular Architecture: Dover Castle, England......Page 520 The Romanesque Church Portal......Page 521 The Priory Church of Saint-Pierre at Moissac......Page 522 The Church of Saint-Lazare at Autun......Page 525 Mary as the Throne of Wisdom......Page 528 Tomb of Rudolf of Swabia......Page 529 Chronicling History......Page 530 Sacred Books......Page 533 The Pilgrim’s Journey to Santiago......Page 507 Relics and Reliquaries......Page 510 St. Bernard and Theophilus: The Monastic Controversy over the Visual Arts......Page 513 The Paintings of San Climent in Taull: Mozarabic Meets Byzantine......Page 516 Hildegard of Bingen......Page 535 The Bayeux Embroidery......Page 531 The Last Judgment Tympanum at Autun......Page 526 CHAPTER 17 Gothic Art of the Twelfth and Thirteenth Centuries......Page 538 The Rise of Urban and Intellectual Life......Page 539 Abbot Suger on the Value of Art in Monasteries......Page 540 The Birth of Gothic at the Abbey Church of Saint-Denis......Page 541 Rib Vaulting......Page 542 Art in the Age of St. Louis......Page 557 Manuscript Illumination......Page 558 Architecture......Page 561 GOTHIC ART IN GERMANY AND THE HOLY ROMAN EMPIRE......Page 563 Architecture......Page 564 Sculpture......Page 566 Sculpture: The Pisano Family......Page 568 Painting......Page 570 Master Masons......Page 547 Villard de Honnecourt......Page 554 The Sainte-Chapelle in Paris......Page 555 Psalm 1 in the Windmill Psalter......Page 559 The Gothic Church......Page 546 Stained-Glass Windows......Page 544 CHAPTER 18 Fourteenth-Century Art in Europe......Page 574 FOURTEENTH-CENTURY EUROPE......Page 575 A New Spirit in Fourteenth-Century Literature......Page 576 Florentine Painting......Page 579 Sienese Painting......Page 585 FRANCE......Page 591 Manuscript Illumination......Page 592 Embroidery: Opus Anglicanum......Page 597 Architecture......Page 599 Mysticism and Suffering......Page 600 The Supremacy of Prague......Page 602 The Black Death......Page 593 An Ivory Chest with Scenes of Romance......Page 595 The Hours of Jeanne d’Évreux......Page 594 Buon Fresco......Page 582 Cennino Cennini on Panel Painting......Page 589 CHAPTER 19 Fifteenth-Century Art in Northern Europe......Page 606 Painting and Sculpture for the Chartreuse de Champmol......Page 607 Women Artists in the Middle Ages and the Renaissance......Page 611 Textiles......Page 613 Oil Painting......Page 616 Painting at Mid Century: The Second Generation......Page 625 EUROPE BEYOND FLANDERS......Page 628 France......Page 629 Germany and Switzerland......Page 631 Single Sheets......Page 634 Woodcuts and Engravings on Metal......Page 635 Altars and Altarpieces......Page 609 The Ghent Altarpiece......Page 621 A Goldsmith in his Shop......Page 626 CHAPTER 20 Renaissance Art in Fifteenth-Century Italy......Page 638 FLORENCE......Page 639 Architecture......Page 640 Sculpture......Page 647 Painting......Page 652 Painting in Florence after Masaccio......Page 656 Urbino......Page 660 Mantua......Page 663 Rome......Page 664 Florence......Page 665 Venice......Page 672 The Competition Reliefs......Page 646 The Morelli–Nerli Wedding Chests......Page 659 The Foundling Hospital......Page 643 Primavera......Page 671 Renaissance Perspective......Page 653 CHAPTER 21 Sixteenth-Century Art in Italy......Page 676 ITALY IN THE EARLY SIXTEENTH CENTURY: THE HIGH RENAISSANCE......Page 677 Three Great Artists of the Early Sixteenth Century......Page 678 Architecture, Painting, and Sculpture in Northern Italy......Page 695 Venice and the Veneto......Page 699 MANNERISM......Page 704 Painting......Page 705 Sculpture......Page 710 Art and Architecture in Rome and the Vatican......Page 711 Oil Painting......Page 715 Veronese is Called Before the Inquisition......Page 716 The Vitruvian Man......Page 682 St. Peter's Basilica......Page 696 Women Patrons of the Arts......Page 703 Raphael's Cartoons for Tapestries in the Sistine Chapel......Page 691 The School of Athens......Page 685 CHAPTER 22 Sixteenth-Century Art in Northern Europe and the Iberian Peninsula......Page 722 THE REFORMATION AND THE ARTS......Page 723 Sculpture......Page 724 Painting......Page 726 A French Renaissance under Francis I......Page 734 SPAIN AND PORTUGAL......Page 737 Sculpture for the Knights of Christ at Tomar......Page 738 Painting......Page 739 Art for Aristocratic and Noble Patrons......Page 741 Antwerp......Page 745 Artists in the Tudor Court......Page 750 Architecture......Page 753 The Castle of the Ladies......Page 735 Armor for Royal Games......Page 752 Bruegel's Cycle of the Months......Page 747 The French Ambassadors......Page 749 German Metalwork: A Collaborative Venture......Page 725 CHAPTER 23 Seventeenth-Century Art in Europe......Page 756 Architecture and Sculpture in Rome......Page 757 Painting......Page 763 Painting in Spain's Golden Age......Page 773 Architecture in Spain......Page 778 Flanders......Page 779 The Dutch Republic......Page 785 FRANCE......Page 800 Architecture and its Decoration at Versailles......Page 801 Painting......Page 803 Architecture......Page 809 Science and the Changing Worldview......Page 799 Garden Design......Page 804 Caravaggio in the Contarelli Chapel......Page 767 Prometheus Bound......Page 783 Etchings and Drypoint......Page 791 CHAPTER 24 Art of South and Southeast Asia after 1200......Page 814 Changes in Religion and Art......Page 815 Mughal Period......Page 819 Indian Painting on Paper......Page 825 Southeast Asian Ceramics......Page 828 Modern South Asia......Page 832 Modern Southeast Asia......Page 834 Foundations of Indian Culture......Page 817 Painting of Jahangir and Shah Abbas......Page 821 The Sukhothai Buddha......Page 830 CHAPTER 25 Chinese and Korean Art after 1279......Page 836 YUAN DYNASTY......Page 837 Court and Professional Painting......Page 840 Formats of Chinese Painting......Page 842 The Secret of Porcelain......Page 843 The Literati Aesthetic......Page 845 Orthodox Painting......Page 849 THE MODERN PERIOD......Page 850 ARTS OF KOREA: THE JOSEON DYNASTY TO THE MODERN ERA......Page 851 Joseon Painting......Page 852 Modern Korea......Page 854 Foundations of Chinese Culture......Page 838 Marco Polo......Page 839 Poet on a Mountaintop......Page 846 Spring Dawn in the Han Palace......Page 844 CHAPTER 26 Japanese Art after 1333......Page 858 Zen Ink Painting......Page 859 The Zen Dry Garden......Page 861 Foundations of Japanese Culture......Page 862 Decorative Paintings for Shoin Rooms......Page 863 The Tea Ceremony......Page 865 Rinpa School Painting......Page 866 Inside a Writing Box......Page 869 Literati Painting......Page 870 Japanese Woodblock Prints......Page 871 Cloth and Ceramics......Page 873 THE MODERN PERIOD......Page 875 Japan after World War II......Page 876 Craftsmakers as Living National Treasures......Page 877 Lacquer Box for Writing Implements......Page 867 Woman's Kosode......Page 874 Shoin Design......Page 864 CHAPTER 27 Art of the Americas after 1300......Page 880 THE AZTEC EMPIRE......Page 881 Tenochtitlan......Page 882 Sculpture......Page 883 Calendar Stone......Page 884 Manuscripts......Page 885 Inca Masonry......Page 886 Machu Picchu......Page 887 Textiles......Page 888 NORTH AMERICA......Page 889 The Eastern Woodlands......Page 890 The Great Plains......Page 893 The Northwest Coast......Page 894 The Southwest......Page 896 Craft or Art?......Page 900 Hamatsa Masks......Page 897 Basketry......Page 891 CHAPTER 28 Art of Pacific Cultures......Page 904 THE PEOPLING OF THE PACIFIC......Page 905 AUSTRALIA......Page 906 MELANESIA......Page 907 New Guinea......Page 908 New Ireland......Page 910 New Britain......Page 911 MICRONESIA......Page 912 POLYNESIA......Page 913 Marquesas Islands......Page 914 Monumental Moai on Rapa Nui......Page 917 Samoa......Page 918 Central Desert Painting......Page 919 Man's Love Story......Page 921 Te-Hau-ki-Turanga......Page 915 CHAPTER 29 Art of Africa in the Modern Era......Page 924 TRADITIONAL AND CONTEMPORARY AFRICA......Page 925 Domestic Architecture......Page 927 Foundations of African Cultures......Page 928 Initiation......Page 929 The Spirit World......Page 933 Leadership......Page 935 Death and Ancestors......Page 941 CONTEMPORARY ART......Page 943 Divination among the Chokwe......Page 936 Kuba Funerary Mask......Page 939 Kongo Nkisi Nkonde......Page 937 CHAPTER 30 Eighteenth- and Early Nineteenth-Century Art in Europe and North America......Page 948 INDUSTRIAL, INTELLECTUAL, AND POLITICAL REVOLUTIONS......Page 949 Rococo Salons......Page 950 Rococo Painting and Sculpture......Page 951 Rococo Church Decoration......Page 955 Grand Tour Portraits and Views......Page 956 Neoclassicism in Rome......Page 958 NEOCLASSICISM AND EARLY ROMANTICISM IN BRITAIN......Page 960 The Classical Revival in Architecture and Design......Page 961 Georgian Silver......Page 964 Trends in British Painting......Page 965 Architecture......Page 975 Painting and Sculpture......Page 977 Portraiture and Protest in Spain: Goya......Page 983 The Art of the Americas under Spain......Page 986 EARLY NINETEENTH-CENTURY ART: NEOCLASSICISM AND ROMANTICISM......Page 988 Developments in France......Page 989 Lithography......Page 997 GOTHIC AND NEOCLASSICAL STYLES IN EARLY NINETEENTH-CENTURY ARCHITECTURE......Page 1001 Academies and Academy Exhibitions......Page 969 The Raft of the "Medusa"......Page 991 Iron as a Building Material......Page 971 CHAPTER 31 Mid- to Late Nineteenth-Century Art in Europe and the United States......Page 1006 FRENCH ACADEMIC ARCHITECTURE AND ART......Page 1007 Academic Architecture......Page 1008 Academic Painting and Sculpture......Page 1009 Orientalism......Page 1011 Realism and Revolution......Page 1015 Manet: "The Painter of Modern Life"......Page 1019 Responses to Realism beyond France......Page 1023 Landscape and Leisure......Page 1030 Modern Life......Page 1034 Post-Impressionism......Page 1037 Symbolism......Page 1042 French Sculpture......Page 1046 Art Nouveau......Page 1047 European Architecture: Technology and Structure......Page 1050 The Chicago School......Page 1052 Cézanne......Page 1055 The Mass Dissemination of Art......Page 1021 Art on Trial in 1877......Page 1028 Modern Artists and World Cultures: Japonisme......Page 1039 Mahana no atua (Day of the God)......Page 1043 The City Park......Page 1053 The Photographic Process......Page 1014 CHAPTER 32 Modern Art in Europe and the Americas, 1900–1950......Page 1060 EUROPE AND AMERICA IN THE EARLY TWENTIETH CENTURY......Page 1061 The Fauves: Wild Beasts of Color......Page 1062 Picasso, "Primitivism," and the Coming of Cubism......Page 1064 The Bridge and Primitivism......Page 1069 Independent Expressionists......Page 1071 Spiritualism of the Blue Rider......Page 1072 Extensions of Cubism......Page 1074 Toward Abstraction in Traditional Sculpture......Page 1079 Dada: Questioning Art Itself......Page 1080 Stieglitz and the "291" Gallery......Page 1083 The Armory Show and Home-Grown Modernism......Page 1084 European Modernism......Page 1087 American Modernism......Page 1089 Utilitarian Art Forms in Russia......Page 1093 De Stijl in the Netherlands......Page 1095 The Bauhaus in Germany......Page 1097 The International Style......Page 1100 The Harlem Renaissance......Page 1103 Rural America......Page 1108 Canada......Page 1110 Mexico......Page 1111 Brazil......Page 1113 Figural Responses and Art Informel in Europe......Page 1114 Experiments in Latin America......Page 1115 Abstract Expressionism in New York......Page 1116 Suppression of the Avant-Garde in Nazi Germany......Page 1099 Federal Patronage for American Art During the Depression......Page 1109 Guernica......Page 1105 Portrait of a German Officer......Page 1085 The Skyscraper......Page 1092 CHAPTER 33 The International Scene since 1950......Page 1126 Assemblage......Page 1127 Happenings and Performance Art......Page 1130 Photography......Page 1132 Pop Art......Page 1134 Minimalism......Page 1138 Conceptual and Performance Art......Page 1139 Process Art......Page 1142 Feminism and Art......Page 1144 Earthworks and Site-Specific Sculpture......Page 1145 Mid-century Modernist Architecture......Page 1147 Postmodern Architecture......Page 1149 Painting......Page 1150 Postmodernism and Gender......Page 1152 Postmodernism and Race or Ethnicity......Page 1154 Sculpture......Page 1157 The Culture Wars......Page 1159 Activist Art......Page 1163 Postcolonial Discourse......Page 1167 High Tech and Deconstructivist Architecture......Page 1168 Video and Film......Page 1171 GLOBALISM: INTO THE NEW MILLENNIUM......Page 1172 Art and Technology......Page 1173 Art and Identities......Page 1175 The Guerrilla Girls......Page 1153 Controversies over Public Funding for the Arts......Page 1161 The Dinner Party......Page 1143 Plenty's Boast......Page 1160 B......Page 1181 C......Page 1182 F......Page 1183 I......Page 1184 M......Page 1185 P......Page 1186 R......Page 1187 S......Page 1188 Z......Page 1189 Bibliography......Page 1190 Credits......Page 1202 A......Page 1206 B......Page 1209 C......Page 1211 D......Page 1214 E......Page 1215 F......Page 1216 G......Page 1217 H......Page 1219 I......Page 1220 K......Page 1222 L......Page 1223 M......Page 1225 N......Page 1228 P......Page 1229 R......Page 1232 S......Page 1234 T......Page 1237 V......Page 1239 W......Page 1240 Z......Page 1241
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