Methods of art history tested against prehistory: session C74. Spiral and circular forms: the most common rock art in the world?: session C81. European cave art: session C85. Euro-Mediterranean rock art studies: session S02. Global state of the art: session S07. Current state of North American rock art: session WS37

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The complete title of BAR S2108 is 'Methods of art history tested against prehistory: session C74. Spiral and circular forms: the most common rock art in the world?: session C81. European cave art: session C85. Euro-Mediterranean rock art studies: session S02. Global state of the art: session S07. Current state of North American rock art: session WS37'. Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September 2006), Vol. 35. uispp35_01.pdf Session C74 METHODS OF ART HISTORY TESTED AGAINST PREHISTORY “Les méthodes de l’histoire de l’art à l’épreuve de la préhistoire” INTRODUCTION Bibliographie APPLICATION DE LA MÉTHODOLOGIE DE L’HISTOIRE DE L’ART À L’ÉTUDE DE L’ART PALÉOLITHIQUE: L’ATTRIBUTION DES OEUVRES ANONYMES A SES AUTEURS NÉCESSITÉ DE L’ATTRIBUTION DE L’AUTEUR THÉORIE DE L’APPLICATION DE L’ATTRIBUTION À L’ART PALÉOLITHIQUE PROCÉDURE DE L’APPLICATION DE L’HYPOTHÈSE D’ATTRIBUTION L’observation macroscopique de la forme, du tracé et du trait Le cerf 1 (Fig. 1.1) Le cerf 2 (Fig. 1.2) Le cerf 3 (Fig. 1.3) Les répétitions L’échelonnement continuel des différences Formulation de l’hypothèse CONFIRMATION DE L’HYPOTHESE: L’EXPERIMENTATION ET LA STATISTIQUE L’observation macroscopique de la collection et formulation de l’hypothèse L’expérimentation et la collection expérimentale Le traitement statistique des collections Bibliography uispp35_02.pdf LES PEINTURES DE LA GROTTE DE LA PASIEGA A (PUENTE VIESGO, CANTABRIE) – À L’ÉPREUVE DE LA MÉTHODE DE L’ATTRIBUTION LES ENJEUX DE L’ATTRIBUTION La grotte de La Pasiega: présentation Les artistes de la Pasiega CONCLUSION Bibliographie uispp35_03.pdf THE RECOGNITION OF DIVERSITY THROUGH STYLE IN THE SAHARAN ROCK-ART RESEARCH: AN HISTORIOGRAPHIC APPROACH FROM THE WESTERN SAHARA INTRODUCTION STYLE, CHRONOLOGY AND THE RISE OF THEODORE MONOD’S PARADIGM STYLE AND ETHNICITY STYLE, REGIONAL PARTICULARITIES AND THE COLLAPSE OF MONOD-LHOTE’S PARADIGM THE ZEMMUR EXAMPLE STYLE AND INDIVIDUALITY IN THE ZEMMUR CONCLUSIONS Acknowledgments Bibliography uispp35_04.pdf THE ROCK ART OF SOUTH-MOROCCO REVISITED: ON SURPRISING STYLISTIC AND THEMATIC CHARACTERISTICS OF THE SO-CALLED “PSEUDO-BOVIDIEN” AND “TAZINIEN” ROCK ART FROM THE MID VALLEY OF WADI DRAA INTRODUCTION Presentation of the research area Presentation of the rock art sites Land use and context of the rock art sites COMPOSITION OF THE ROCK ART WITHIN THE ROCK ART-SITES Presentation of the traditional classificatory frame Critique of the traditional classificatory frame PRESENTATION OF THE REPRESENTATIONAL TYPES Dating of the rock art Variations of the “Tazinien” Variations of the “Pseudo-Bovidien” INTERPRETATION OF THE ROCK ART Motif range of rock art groups (representational types) Spatial distribution of representational types CONCLUSION Bibliography uispp35_05.pdf Session C81 Spirals and circular forms: The most common rock art elements in the world? ESPIRALES EN HUMAHUACA1 Y EN EL NOROESTE DE ARGENTINA (SUDAMÉRICA) INTRODUCCIÓN0F ESPIRALES EN LA HISTORIA DE LA MATEMÁTICA Conceptos previos Fractalización de la espiral Ejemplos ESPIRALES EN EL ARTE RUPESTRE PRECOLOMBINO Espirales con tendencia circular Espiral con tendencia cuadrangular Espiral con tendencia triangular Espirales con posible interpretación dentro de la cosmovisión andina Espirales unidas a cuerpos zooantropomorfos ESPIRALES EN VISIONES CONTEMPORÁNEAS CONCLUSIÓN Bibliografía Figures uispp35_06.pdf SPIRALS AT STURT’S MEADOWS SITE DATE CONCLUSION Acknowledgements Bibliography uispp35_07.pdf CIRCULAR ELEMENTS IN THE ROCK ART OF THE STATE OF BAHIA, BRAZIL PRESENTATION OBJECTIVE and METHODOLOGY Bibliographical sources Methodological development GEOGRAPHICAL AND PALEOCULTURAL FEATURES OF BAHIA CIRCULAR SIGNS IN SOUTHAMERICN AND BRAZILIAN’S ROCK ART CIRCULAR SIGNS IN THE ROCK ART OF THE STATE OF BAHIA, BRAZIL CONCLUSIONS Acknowledgements Bibliography uispp35_08.pdf SPIRALS OF THE PREHISTORIC OPEN ROCK PAINTING FROM KOSOVA MOTIVES ON THE ROCK ART DATING CONCLUSION Bibliography uispp35_09.pdf Session C85 European cave art To be or not to be Palaeolithic, that is the question Introduction Case histories Northern Alpine Limestone Belt, Austria German cave art Czech cave art Eastern Europe Côa valley, Portugal Mazouco, Ocreza and Escoural, Portugal Siega Verde, Spain The Levantine shelter art, Spain Lascaux, France Church Hole, United Kingdom Pleistocene age claims for non-European rock art Discussion References uispp35_10.pdf THE MARGOT CAVE (MAYENNE): A NEW PALAEOLITHIC SANCTUARY IN WEST FRANCE PROBLEMATIC CONTEXT THE MARGOT CAVE METHODOLOGY INVENTORY RESULTS AND DISCUSSIONS CONCLUSIONS Acknowledgments References uispp35_11.pdf Fluted Animals in the Zone of Crevices, Gargas Cave, France FINGER FLUTINGS AND GARGAS RESULTS DISCUSSION AND CONCLUSIONS Acknowledgements References uispp35_12.pdf Session SO2 Euro-Mediterranean rock art studies SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION AND OTHER QUESTIONS OF PALEOASTRONOMY AND PHILOSOPHY OF ANTIQUITY I PALEOLITHIC REPRESENTATION OF MOON ECLYPSE SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION ON IBERIAN EAST POINTS IN THE SCHEMATIC ART POINTS, DIGITATIONS THE INTEPRETACION OF ABSCTRACT SIGNS II WRITING IN FIRST CIVILIZATIONS LIBRARY IN MESOPOTAMIA PALEOLITHIC LIBRARY Rock art panel as a library “ALTAMIRA” ROOF AS A COSMOGONIC TALE Acknowledgments Bibliography uispp35_13.pdf EPIPALEOLITHIC AND MESOLITHIC BURIAL’S FROM 12000 to 7000 BP IN LEVANTIN TERRITORY ART ROCK INTRODUCTION CINGLE OF MAS NOU: COLLECTIVE BURIAL COVA FOSCA: INDIVIDUAL BURIAL THE ABSOLUTE CHRONOLOGY CINGLE OF MAS NOU COVA FOSCA Bibliography uispp35_14.pdf GRAVURAS SERPENTIFORMES NA REGIÃO DE TRÁS-OS-MONTES INTRODUÇÃO O SÍMBOLO O SIMBOLISMO DA SERPENTE SANTUÁRIOS OFIOLÁTRICOS EM TRÁS-OS-MONTES E ALTO DOURO Baldoeiro Mão do homem Panóias Santuário ofiolátrico de São Bento Demais santuários ofiolátricos e gravuras de serpentiformes espalhados pela região POTENCIAL TURÍSTICO CONCLUSÃO Referências bibliográficas uispp35_15.pdf Session SO7 Global state of the art The Camera Obscura and the Origin of Art: The Case for Image Projection in the Paleolithic INTRODUCTION PROBLEM SOLUTION The Paleo-Camera Theory COMPARISON WITH OTHER ORIGIN-OF-ART THEORIES References uispp35_16.pdf ETUDE ET PRESENTATION DE L’ART RUPESTRE EN IRAN (EXEMPLE D’ETUDE DANS LES REGIONS DU PROVINCE CENTRAL ET KERMAN D’IRAN) INTRODUCTION LA SITUATION GEOGRAPHIQUE ET HISTORIQUE CIRCONSTANCES DE CES DECOUVERTES DESCRIPTION ET ANALYSE Nombre Taille Thèmes Symboles et inscriptions Identité Motivations But Datation CONCLUSION Remerciements Bibliographies uispp35_17.pdf Session WS37 Current state of North American rock art ARCHEOLOGICAL USE OF CAVES ON THE NORTHWESTERN PLAINS, USA INTRODUCTION CAVE ATTRIBUTES NATURAL LIGHTING ROCK ART OBJECTS REMOVED FROM CAVES Mining Crystals and formations CONSTRUCTION IN CAVES HABITATION HUMAN REMAINS DISCUSSION Acknowledgments uispp35_18.pdf Mogollon rock art and the status of the “flute player” Introduction Section I: The ambiguity of the “flute player” Section II: the Distribution of the “flute player” The hohokam The mogollon Three Rivers Possible indications of “flute players” at three RIVERS? conclusions Acknowledgements References and further reading uispp35_19.pdf the findings of the presence of the sabre toothed tiger INTRODUction The find Discussion and methods Conclusions Bibliography bacib.pdf THE RECOGNITION OF DIVERSITY THROUGH STYLE IN THE SAHARAN ROCK-ART RESEARCH: AN HISTORIOGRAPHIC APPROACH FROM THE WESTERN SAHARA INTRODUCTION STYLE, CHRONOLOGY AND THE RISE OF THEODORE MONOD’S PARADIGM uispp35_12.pdf Session SO2 Euro-Mediterranean rock art studies SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION AND OTHER QUESTIONS OF PALEOASTRONOMY AND PHILOSOPHY OF ANTIQUITY I PALEOLITHIC REPRESENTATION OF MOON ECLYPSE SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION ON IBERIAN EAST POINTS IN THE SCHEMATIC ART POINTS, DIGITATIONS THE INTEPRETACION OF ABSCTRACT SIGNS II WRITING IN FIRST CIVILIZATIONS LIBRARY IN MESOPOTAMIA PALEOLITHIC LIBRARY Rock art panel as a library “ALTAMIRA” ROOF AS A COSMOGONIC TALE Acknowledgments Bibliography Front Cover Title Page Copyright Table of Contents LIST OF FIGURES LIST OF TABLES Session C74 METHODS OF ART HISTORY TESTEDAGAINST PREHISTORY “LES MÉTHODES DE L’HISTOIRE DE L’ARTÀ L’ÉPREUVE DE LA PRÉHISTOIRE" INTRODUCTION APPLICATION DE LA MÉTHODOLOGIE DE L’HISTOIREDE L’ART À L’ÉTUDE DE L’ART PALÉOLITHIQUE: L’ATTRIBUTION DES OEUVRES ANONYMES A SES AUTEURS LES PEINTURES DE LA GROTTE DE LA PASIEGA A (PUENTE VIESGO, CANTABRIE) – À L’ÉPREUVE DE LA MÉTHODE DE L’ATTRIBUTION THE RECOGNITION OF DIVERSITY THROUGH STYLE IN THE SAHARAN ROCK-ART RESEARCH: AN HISTORIOGRAPHIC APPROACH FROM THE WESTERN SAHARA THE ROCK ART OF SOUTH-MOROCCO REVISITED: ON SURPRISING STYLISTIC AND THEMATIC CHARACTERISTICS OF THE SO-CALLED “PSEUDO-BOVIDIEN” AND “TAZINIEN” ROCK ART FROM THE MID VALLEY OF WADI DRAA Session C81 SPIRALS AND CIRCULAR FORMS: THE MOST COMMON ROCK ART ELEMENTS IN THE WORLD? ESPIRALES EN HUMAHUACA Y EN EL NOROESTE DE ARGENTINA (SUDAMÉRICA) SPIRALS AT STURT’S MEADOWS CIRCULAR ELEMENTS IN THE ROCK ART OF THE STATE OF BAHIA, BRAZIL SPIRALS OF THE PREHISTORIC OPEN ROCK PAINTING FROM KOSOVA Session C85 EUROPEAN CAVE ART TO BE OR NOT TO BE PALAEOLITHIC, THAT IS THE QUESTION THE MARGOT CAVE (MAYENNE): A NEW PALAEOLITHIC SANCTUARY IN WEST FRANCE FLUTED ANIMALS IN THE ZONE OF CREVICES, GARGAS CAVE, FRANCE Session SO2 EURO-MEDITERRANEAN ROCK ART STUDIES SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION AND OTHER QUESTIONS OF PALEOASTRONOMY AND PHILOSOPHY OF ANTIQUITY EPIPALEOLITHIC AND MESOLITHIC BURIAL’S FROM 12000 TO 7000 BP IN LEVANTIN TERRITORY ART ROCK GRAVURAS SERPENTIFORMES NA REGIÃO DE TRÁS-OS-MONTES Session SO7 GLOBAL STATE OF THE ART THE CAMERA OBSCURA AND THE ORIGIN OF ART: THE CASE FOR IMAGE PROJECTION IN THE PALEOLITHIC ETUDE ET PRESENTATION DE L’ART RUPESTRE EN IRAN (EXEMPLE D’ETUDE DANS LES REGIONS DU PROVINCE CENTRAL ET KERMAN D’IRAN) Session WS37 CURRENT STATE OF NORTH AMERICAN ROCK ART ARCHEOLOGICAL USE OF CAVES ON THE NORTHWESTERN PLAINS, USA MOGOLLON ROCK ART AND THE STATUS OF THE “FLUTE PLAYER” THE FINDINGS OF THE PRESENCE OF THE SABRETOOTHED TIGER