New Places: Shakespeare and Civic Creativity
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New Places: Shakespeare and Civic Creativity documents and analyses the different ways in which a range of innovative projects take Shakespeare out into the world beyond education and the theatre. Mixing critical reflection on the social value of Shakespeare with new creative work in different forms and idioms, the volume triumphantly shows that Shakespeare can make a real contribution to contemporary civic life. Highlights include: Garrick's 1769 Shakespeare ode, its revival in 2016, and a devised performance interpretation of it; the full text of Carol Ann Duffy's A Shakespeare Masque (set to music by Sally Beamish); a new Shakespearean libretto inspired by Wagner; an exploration of the civic potential of new Shakespeare opera and ballet; a fresh Shakespeare-inspired poetic liturgy, including commissions by major British poets; a production of The Merchant of Venice marking the 500th anniversary of the Venetian Jewish Ghetto; and a remaking of Pericles as a response to the global migrant crisis. Cover Half-title Title Copyright Contents List of Illustrations List of Contributors Preface Introduction Part One: After Garrick 1. Reviving Garrick 2. A Shakespeare Masque: Reflections on an Anniversary Commission with Sally Beamish and Carol Ann Duffy 3. Shakespeare Unbard: Negotiating Civic Shakespeare Part Two: New Places; New Forms 4. Communities in the Theatre and in the World: Three Ballets and a Masque 5. Seeing More Clearly with the Eyes of Love: A Liturgy for Voices Based on A Midsummer Night’s Dream 6. The Marina Project Part Three: New Places: Europe 7. Shakespeare’s German Place: Weimar and the Jubilees, 1864/2014 8. On Romeo and Juliet and Civic Crisis in Contemporary Verona 9. Shylock in the Thinking Machine: Civic Shakespeare and the Future of Venice 10. Mastersinger Shakespeare! Part Four: New Places: North America 11. New Places for Civic Shakespeare in America 12. Shakespeare and Theatre at the Civic Intersection Afterword: Civic Shakespeares Notes Index
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