ENGLISH

Popular music in France from chanson to techno : culture, identity, and society

By Steve Cannon (editor); Hugh Dauncey (editor)

Book information

Publisher
Routledge
Year
2016
ISBN
9780754608493, 0754608492, 9781138277373, 1138277371
Language
english
Format
PDF
Filesize
7 MB (7254708 bytes)
Series
Ashgate popular and folk music series
Pages
\295
Time added
2021-02-17 22:53:42

Description

Cover Half Title Title Page Copyright Page Contents List of Contributors General Editor's Preface Abbreviations Introduction: Music, modernization and popular identity 1 The study of popular music between sociology and aesthetics: a survey of current research in France Being a musician: from learning to doing The musical field: from public policies to the record business A sociology of reception: the mediation of music and its audiences Conclusion 2 In from the margins: chanson, pop and cultural legitimacy 3 The French music industry: structures, challenges and responses The French music business: fragile or just French? MP3 and e-music: a 'French touch' from Vivendi-Universal? The French Music Export Office: the record label 'France'? Conclusion 4 Popular music on French radio and television Radio Pre-1981: limited radio outlets for popular music The post-war 'state radio monopoly' The 1980s and 1990s: new radio outlets and more musical specialization Independent radio in the 1980s and 1990s: the Anglo-American invasion Linguistic quotas and the defence of French musical culture Music radio in the twenty-first century Television Popular music and the 'variety show' in the public service television era Popular music and the 'variety show' in the era of commercial TV Effects of television quotas on the variety show genre Radio killed the variety star Music and 'post-television' Dedicated music channels: France versus America The search for a commercial music channel on terrestrial television M6 and the youth music audience New pay-TV channels and niche broadcasting MCM 'Le video-clip' Conclusion 5 The popular music press The place of music in the press Top Réalités ]eunesse Rallye-Jeunesse Nous les garçons et les filles Disco Revue Salut les copains Rock & Folk Les Inrockuptibles, and beyond Conclusion 6 The disintegration of community: popular music in French cinema 1945–present Chanson (1930–1945) and French community Operetta and French swing (1935–1955): carrying on the good times Jazz and yéyé (1955–1970): the ghost of the chanson and the disintegration of community The compilation score (1980–) a) Classical music b) Postmodern mix c) Pop songs d) USA/France Conclusion 7 Le Demy-monde: the bewitched, betwixt and between French musical A musical digression: French style with an American accent (and vice versa) Film musicals and national cinema Les Parapluies de Cherbourg Dance interlude: Paris/New York/Hollywood/Rochefort Les Demoiselles de Rochefort Conclusion 8 Chanson engagée and political activism in the 1950s and 1960s: Léo Ferré and Georges Brassens Discography 9 Divided loyalties: singing in the Occupation 10 Rock and culture in France: ways, processes and conditions of integration The intellectualization of rock A process of music criticism An unusual intellectualization Rock and local political culture The birth of 'rock policy' Cultural policies and local identities Rock scenes and cultural identities Issues in the instrumentalization of rock scenes to create local cultural identities 11 Globalization, Americanization and hip hop in France From the Bronx to the banlieues 'De Ia planète Mars(eille)': Global and local identities in Marseille hip hop What's in a name? Imperial Asiatic Men Invasion Arrivant de Mars Indépendantistes Autonomes Marseillais Le Mia Conclusion lAM -Selected Discography 12 Flaubert's sparrow, or the Bovary of Belleville: Édith Piaf as cultural icon Piaf's life Édith and Marcel Piaf and Emma Bovary 'Mon légionnaire' (1936) 'L' Accordéoniste' (1942) 'Hymne à I'amour' (1951) 'Padam ... padam ...' (1951) 'Milord' (1956) 'La Foule' (1958) 'Les Mots d'amour' (1961) Conclusion 13 French electronic music: the invention of a tradition Techno in France: the institution of a genre Foreignness as style Local tensions and global significance Conclusion: French popular music, cultural exception and globalization Conclusion Bibliography Index

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