The Cinematic Superhero as Social Practice
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This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon. Preface Contents 1 Introduction: A Plague of Superheroes Understanding Superhero Fantasy Superhero Film Fantasy, the Subject, and Ideology The Cinematic Superhero and Nostalgia Towards an Understanding of the Cinematic Superhero Fantasy References 2 The Superhero with a Thousand Faces The Birth of a Notion Superman: Superhero with a Thousand Faces References 3 Fantasy and the Working-Class Superhero Coming of Age as Reflective Fantasy in Raimi’s Spider-Man Films Restorative Fantasy and Marvel’s Spider-Man People Need to Believe References 4 Fantasies of the Anthropocene The Marvel Cinematic Superhero The Rise of Iron Man Iron Man as Phallic Signifier Iron Man as the Drama of the Gifted Child References 5 The Cinematic Superhero as Other Toward a Question of Knowing Wonder Woman: Up in Arms Black Panther: A Dream Deferred References 6 Superhero Fantasy in Crisis Authoritarianism, Environmental Crisis, and the Cinematic Superhero Signal from Noise The Hero We Deserve: Nolan’s Batman and Authoritarianism Superhero Fantasy as “Greening Fiction” References 7 Conclusion: Destroy All Monsters! Reflective Fantasy and the Superhero The Monster Is You! The Cinematic Superhero Is Dead, Long Live the Cinematic Superhero References Index
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