Conrad Without Borders: Transcultural and Transtextual Perspectives
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A diverse and multinational volume, this book showcases the passages of Joseph Conrad's narratives across geographical and disciplinary boundaries, focusing on the transtextual and transcultural elements of his fiction. Featuring contributions from distinguished and emergent Conrad scholars, it unpacks the transformative meanings which Conrad's narratives have achieved in crossing national, cultural and disciplinary boundaries. Featuring studies on the reception of Conrad in modern China, an exploration of Conrad's relationship with India, a comparative study of the hybrid art of Conrad and Salman Rushdie, and the responses of Conrad's narratives to alternative media forms, this volume brings out transtextual relations among Conrad's works and various media forms, world narratives, philosophies, and emergent modes of critical inquiry. Gathering essays by contributors from Canada, Greece, Hong Kong, India, Japan, Norway, Poland, Taiwan, the United Kingdom, and the United States, this volume constitutes an inclusive, transnational networking of emergent border-crossing scholarship. Cover Half Title Title Copyright Contents Figures Abbreviations Acknowledgments Preface Introduction Part 1 Transtextual and Transcultural Bridges 1 Conrad’s Triple Perspective: History, Memory, Fiction (Jakob Lothe,University of Oslo) 2 Conrad as a Reader of Adam Mickiewicz’s Grazyna (Karol Samsel,Warsaw University) 3 An Epistemological and Denegative Reinterpretation in the Faulknerian Context of Conrad’s Malay Tale “The Planter of Malata 4 The Power “not to”: Agambenian Thought in Conrad’s Victory and Faulkner’s Intruder in the Dust (Pei-Wen Clio Kao, 5 “Ich Bin Nicht Einer Von Euch”: Language as a Tool to Construct the Identities of Conrad’s German-Speaking Characters (E Part 2 Transmedial and Transnational Negotiations 6 Time, Place, Scale, and Decorum: Conrad and the Polish Romantic Drama (Laurence Davies,King’s College London) 7 The “Curve” of Time: Modes of Imaginative Inquiry in Under Western Eyes (Anne Luyat,Université d’Avignon) 8 Conrad’s Afterlife: Adaptations of Conrad’s Biography in Contemporary Polish Culture (Agnieszka Adamowicz-Pospiech,U 9 Communication with Marconi’s Electric Waves: Conrad and Wireless Telegraphy (Kazumichi Enokida,Hiroshima University) 10 Representing Conrad in Modern China (Gloria Kwok Kan Lee,School of Oriental and African Studies, University of Lo 11 The Man Who Foresaw It All: Joseph Conrad and India (Narugopal Mukherjee,Bankura Christian College (Bankura Universi Part 3 Transtextual and Transcultural Politics 12 Transcultural Negotiations: A Personal Record, “Prince Roman,” and “The Warrior’s Soul” (Robert Hampson,Universit 13 Rereading Under Western Eyes from the Polish Perspective (Joanna Skolik,University of Opole) 14 The Dangerous Subject Is the Displaced Subject: Conrad’s Short Fictions (George Z. Gasyna,University of Illinois at U 15 “I Must Live Till I Die—Mustn’t I?”: The Hybrid Art of Joseph Conrad and Salman Rushdie (G. W. Stephen Brodsky,Roya 16 Metropolitan Terror in The Secret Agent: Truth and Fiction in a Surreal Drama (Gerard Kilroy,Jesuit University Ign Notes on Contributors Index
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