ENGLISH

A Capsule Aesthetic: Feminist Materialisms in New Media Art

By Kate Mondloch

Book information

Publisher
University of Minnesota Press
Year
2018
ISBN
978-1-5179-0049-6, 978-1-5179-0048-9
Language
english
Format
PDF
Filesize
2 MB (2373026 bytes)
Pages
153\153
Time added
2019-04-20 01:45:16

Description

How new media art informed by feminism yields important and original insights about interacting with technologies In A Capsule Aesthetic, Kate Mondloch examines how new media installation art intervenes in the fields of technoscience and new materialism, showing how three diverse artists—Pipilotti Rist, Patricia Piccinini, and Mariko Mori—contribute to the urgent conversation about everyday technology and the ways it constructs our bodies. A Capsule Aesthetic establishes the unique insights that feminist theory offers to new media art and new materialisms, offering a fuller picture of human–nonhuman relations. In-depth readings of works by Rist, Piccinini, and Mori explore such questions as the role of the contemporary art museum in our experience of media art, how the human is conceived of by biotechnologies, and how installation art can complicate and enrich contemporary science’s understanding of the brain. With vivid, firsthand descriptions of the artworks, Mondloch takes the reader inside immersive installation pieces, showing how they allow us to inhabit challenging theoretical concepts and nonanthropomorphic perspectives. Striving to think beyond the anthropocentric and fully consider the material world, A Capsule Aesthetic brings new approaches to questions surrounding our technology-saturated culture and its proliferation of human-to-nonhuman interfaces. 1. Eye Desire: New Media Art and New Materialisms after Feminism 2. Thinking through Feminism: The Critical Legacy of 1970s and 1980s Feminist Media Art and Theory 3. Critical Proximity: Pipilotti Rist’s Exhibited Interfaces and the Contemporary Art Museum 4. Unbecoming Human: Patricia Piccinini’s Bioart and Postanthropocentric Posthumanism 5. Mind over Matter: Mariko Mori, Art History, and the Neuroscientific Turn Conclusion Acknowledgments Notes Index

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