ENGLISH

Made in Ireland: Studies in Popular Music

By Áine Mangaoang (editor) , John O'Flynn (editor) , Lonán Ó Briain (editor)

Book information

Publisher
Routledge
Year
2020
ISBN
1138336025, 9781138336025
Language
english
Format
PDF
Filesize
6 MB (6166914 bytes)
Series
Routledge Global Popular Music Series
Edition
1
Pages
296\297
Time added
2022-01-13 01:44:56

Description

Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music. Cover Half Title Series Title Copyright Contents List of Illustrations Series Foreword Acknowledgements Preface Introduction: Popular Music in Ireland: Mapping the Field Part 1: Music Industries and Historiographies 1 A History of Irish Record Labels From the 1920s to 2019 2 Broadcasting Rock: The Fanning Sessions as a Gateway to New Music 3 Don’t Believe a Word? Memoirs of Irish Rock Musicians 4 Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O’Connor 5 “Missing From the Record”: Zrazy and Women’s Music in Ireland 6 “Alternative Ulster”: The First Wave of Punk in Northern Ireland (1976–1983) Part 2: Roots and Routes 7 Irish Lady Sings the Blues: History, Identity and Ottilie Patterson 8 The Politics of Sound: Modernity and Post-Colonial Identity in Irish-Language Popular Song 9 Communal Voices: The Songs of Tom a’ tSeoighe and Ciarán Ó Fátharta 10 Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles 11 “. . . Practically Rock Stars Now”: Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition 12 “Other Voices” in Media Representations of Irish Popular Music Part 3: Scenes and Networks 13 Assembling the Underground: Scale, Value and Visibility in Dublin’s DIY Music Scene 14 Parochial Capital and the Cork Music Scene 15 Death of a Local Scene? Music in Dublin in the Digital Age 16 Fit for Consumption? Fanzines and Fan Communication in Irish DIY Music Scenes 17 Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap Coda 18 Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn Afterword 19 Songs of Love: A Conversation with Neil Hannon (The Divine Comedy) A Selected Bibliography on Irish Popular Music Notes on Contributors Index

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